By John E. West
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Charles Quarles
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- 1727
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Charles Quarles was probably son of Charles Quarles, the builder of the Organs at Pembroke and
Christ Colleges, Cambridge, in 1707.
Composer of Church Music, Etc. A "Lesson for the Harpsichord" by him was published by Goodison in 1788.
Organist of
, 1688 - 1709
1722 - 1727
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|
 Biographical Dictionary of the Organ
 Dictionary of National Biography
In 1722 he became Organist of York Minster. He died in 1727.
The only composition by him known is "A Lesson for the Harpsichord," printed by Goodison about 1788.
Composers of Classical Music
Web Site
 ORGAN RECITAL AT HOLY TRINITYThe next was a Minuet in the ancient style, written by Charles Quarles, sometime organist at Trinity College, Cambridge.
Hastings and St Leonards Observer
Saturday 29 July 1922
(www.britishnewspaperarchive.co.uk)
 Quarles, Charles, organist and composer
of the early part of the 18th century. He was organist of Trinity College, Cambridge, and in 1698 he graduated Mus. Bac, Cambridge.
In 1722 he was made organist of York Minster.
He died at York, in 1727.
He composed lessons for the harpsichord, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897 |
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Robert Ramsey |
1590s – 1644 |
Robert Ramsey was required to compose for his degree a "Canticum" to be performed at
St. Mary's Church. A Service in F by him is in the Tudway Collection.
There are also Services, Anthems, Etc., at the British Museum, Ely, and
Peterhouse, Cambridge.
Dr. Jebb has included settings of the Litany
(to English and Latin words), by Ramsey, in his "Choral Responses
and Litanies."
He is also one of the composers mentioned in Cliffords Words of Anthems.
Organist of
1628? - 1644 |
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 Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Ramsey, Robert, organist and composer,
of latter part of the 16th and beginning of 17th centuries.
He graduated Mus. Bac. Cambridge, in 1616, and was organist of Trinity College.
He composed a Service in F, and various anthems.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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John Randall |
1715 - 18th Mar 1799 |
John Randall was born in 1715.
Chorister in the Chapel Royal.
Organist to Cambridge University and Pembroke Hall. University Professor of Music, 1755.
Died March 18, 1799. Buried in St. Benet's Churchyard, Cambridge.
Composer of Church Music, Songs, Etc. One or two of his Chants were well known in 1921
Organist of
, 1743 - 1799
1777 - 1799 |
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Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
 Cyber Hymnal Web Site
 Hymnary Web site
 1744.
Mus. Bac. — John Randall.
Randall, John, organist and composer,
was boru in 1715. Chorister in Chapel Royal under B. Gates. Mus. Bac, Cantab., 1744.
Organist of Trinity College, St. John's College, King's College, 1775, and Pembroke Hall, Cambridge. Professor of Music Cambridge
University, in succession to M. Greene, 1755.
Mus. Doc, Cantab., 1756.
He died at Cambridge, March 18, 1799, aged 83.
Composer of odes, anthems, psalms, and chants, and a "Collection of Psalm and Hymn Tunes, some of which are new, others by perinission
of the authors." Cambridge, 1794. Songs : Happy Swain,
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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William Randall |
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William Randall (or Randoll) was a Chorister in Exeter Cathedral.
His name first appears as Organist of the Chapel Royal in 1592 (Chapel Royal Cheque Book).
Composer of Church Music.
Organist of
1592 - 1603? |
|
Biographical Dictionary of the Organ
Dictionary of National Biography |
William Raylton |
- 1757 |
William Raylton was a pupil of Dr. Croft.
Died 1757.
Composer of Church Music.
His Service in A was still sung at Canterbury in 1921, and a
Service in E flat and one or two Anthems are in MS. in Canterbury Cathedral
books. A setting of the opening Burial Sentences by him is to be found in
Vincent Novello's Collection of Purcell's Sacred Music, Vol. IV.
Organist of
1736 - 1757 |
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Biographical Dictionary of the Organ
 Oxford Music Online Web site |
Lloyd Raynor |
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Lloyd Raynor was a Chorister in Lincoln Cathedral, 1746, and Master of the Song
School, Newark-on-Trent.
On September 10, 1771, he was &arraigned and reproved for playing one
Anthem while Mr. Binns was singing another&; and, &for insolence,& was
suspended from his offce till he apologized.
Dismissed from the post September 17, 1784 ; but afterwards &submitted,& and was allowed a
pension of £10 a year, which, however, was discontinued after the first year.
Organist of
1756 - 1784 |
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Biographical Dictionary of the Organ
A History of Lincoln Minster Raynor had been organist at Newark prior to his appointment at Lincoln.
Raynor proved less than satisfactory. He amused himself by attempting to throw the soloists Off their stride in the
anthems. Brought before the chapter following one such incident in 1771 when
a Mr Binns, one of the vicars choral, found himself singing one anthem, whilst
Raynor played the Organ in the Tune of a different Anthem whereby the Singer
was interrupted and the Choir put into Confusion; he was rebuked; some
years later (1784) he abused and threatened the Dean 'in the grossest manner', and his services were dispensed with. |
John Reading |
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John Reading was probably a native of Lincoln, and a relative of John Reading, Organist of
Winchester Cathedral, 1675-1692. Composer of Church Music, Etc.
Organist of
1668 - 1674? |
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Biographical Dictionary of the Organ
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John Reading |
c.1645 - 1692 |
John Reading was Lay Vicar of Lincoln Cathedral, 1667, and Master of the Choristers
there, 1670.
Died at Winchester, 1692. Probably buried in the Cloisters of Winchester College.
During Reading's time at Winchester College the organist's salary was increased from £5 to £50 per annum.
Composer of Church Music, and of the Winchester College &Graces.&
Organist of
1675 - 1681
1681- 1692 |
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Hymnary Web site |
John Redford |
1486? - 1547 |
John Redford was born about 1486.
Chorister in St. Paul's Cathedral, afterwards Vicar Choral there, and subsequently Organist and Almoner, the latter appointment including the duties of Master of the Boys.
His Anthem, &Rejoice in the Lord alway,& is still(1921) sung at St. Paul's and elsewhere.
An edition in 8vo size, by Sir George Martin, was issued some years ago by Messrs. Novello. Redford composed some pieces for the organ, one or two of which have been published in recent years. He was also author of the
Interlude of &Wyt and Science,& performed in 1538-39.
His name appears among the Vicars Choral in the &Declaration by the Sub-Dean and Canons of St. Paul's, of allegiance to Henry VIII. and
Queen Anne Boleyn,& June 20, 1534.
He is mentioned among the distinguished musicians of his time in Morley's &Plaine and Easie
Introduction to Practicall Musicke& (1597).
Tusser, in his &Five Hundred Points of Husbandry,& gives the following
eulogy of him :——
By friendship's lot to Paul's I got,
So found I grace a certain fpace
Still to remaine
With Redford there, the like no where
For cunning fuch and vertue much,
By whom fome part of mufic's art
So did I gaine.
Organist of
1525 - 1540 |
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
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Arthur Richardson |
- 1826 |
Arthur Richardson was lay Vicar Choral at st. David's. Formerly Assistant-Organist of Armagh Cathedral. He
appears, from entries in the St. David's books, to have also been tuner of the organ.
Died 1826.
Organist of
1787 - 1826 |
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Biographical Dictionary of the Organ
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Alfred Madeley Richardson |
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Alfred Madeley Richardson was Born at Southend, 1868.
A pupil of W. Haynes at Malvern, and afterwards of
Sir Walter Parratt, Sir Hubert Parry, and others.
Organ Scholar at Keble College, Oxford, 1885.
Resigned the position at Southwark Cathedral 1909, and went to America.
He wrote a number of books, his Extempore Playing has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. His 'Modern Organ Accompaminent' is available to read on line.
Composer of Church Music, Part-songs, Etc.
Organist of
Hindlip Church, Worcester, 1889
Holy Trinity, Sloane Street
St. Jude's, Cray's Inn Road
Holy Trinity, Scarborough, 1892 - 1897
1897 - 1909 |
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Biographical Dictionary of the Organ
1888
New Coll. Mus. Bac.— Alfred Madeley Richardson, Keble Coll. B.A., 1888; M.A., 1892.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
 Link to on line books by A.M.Richardson
Richardson, Alfred Madeley, organist,
studied under William Haynes, of Malvern, and at R.C.M. Organ Scholar, Keble College, Oxford, 1885-9. Graduated Mus. Bac,
and B.A., 1888 ; M.A., 1892, Oxford. F.R.C.O. Obtained diploma of A.CO. when sixteen,
and was then organist of Emmanuel Church, Malvern. Gave recitals in the Priory Church
there, 1884. Organist of Hindlip Church, Worcester, 1889 ; Holy Trinity, Sloane Street,
London ; St. Jude's, Gray's Inn Road ; All Saints', Scarborough, 1892 ; St. Saviour's
Cathedral, Southwark, 1897. He has published church services, part-songs, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
John Elliott Richardson |
1825-1910 |
John Elliott Richardson was born at Salisbury
Pupil of A. T. Corfe, and Assistant-Organist at Salisbury for eighteen years.
Resigned the appointment at Salisbury owing to ill-health. Afterwards became Organist of a
Roman Catholic Church at Bognor.
Composer of Church Music. Editor of the Salisbury Chant Book, a Collection of Sanctuses and Kyries, and a
book of Voluntaries for the Organ.
Organist of
1863 - 1881 |
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Biographical Dictionary of the Organ
Richardson, John Elliott, organist and
composer, born at Salisbury. Studied at Salisbury Cathedral, under A. T. Corfe, whose assistant organist he was for eighteen
years. Appointed organist and master of the choristers, in 1863, after the death of A. T. Corfe.
Conductor of Sarum Choral Society, 1849-69. Resigned Cathedral appointment, 1881, owing to ill-health.
He composed a service in F ; I will give thanks ; Turn Thee, O Lord ; and other anthems.
Author of "Salisbury Chant Book," Salisbury, 1859; "The Tour of a Cathedral Organist," Salisbury, 1870. Editor of anthems by Greene, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Vaughan Richardson |
c.1670 - 1729 |
Vaughan Richardson was a Chorister in the Chapel Royal and a Pupil of Blow.
Temporary Organist for a short time at Worcester Cathedral, before his appointment to
Winchester.
Died 1729.
Composer of Church Music, Odes, Cantatas, Songs, Etc. His Anthem, "O how amiable," is still in frequent use(c1921) in
all "choirs and places where they sing."
Organist of
1686 - 1688
1692 - 1729 |
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Wikipedia page
Biographical Dictionary of the Organ
 Choral Public Domain Library Web site
 A song in praise of St Cecilia
Eboracum Baroque
YouTube Channel
O how Amiable
Sheet music
Richardson, Vaughan, organist and
composer, was born in the latter half of the 17th century. He studied under Blow in the Chapel Roval.
Organist of Winchester Cathedral, 1695.
He died in 1729.
Works.—A Collection of new Songs for 1, 2, and 3 voices, accompany'd with Instruments, London, 1701. Odes, cantatas, etc.
Anthems and songs. The well-known anthem "O how amiable are Thy dwellings" is by this composer.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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William Weaver Ringrose |
c1839 - 1884 |
William Weaver Ringrose
Shortly after leaving Southwell his mind gave way, and he died.
Organist of
All Saints', Clifton
1876 - 1879 |
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Biographical Dictionary of the Organ
Oxford
Batchelor Of MusicWilliam Weaver Ringrose
Daily Telegraph & Courier (London)
Friday 20 May 1870
(www.britishnewspaperarchive.co.uk)
Music Score
Oh How Amiable Psalm LXXXIV
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George Riseley |
28th Aug 1845 - 12th Apr 1932 |
George Riseley was born at Bristol, August 28, 1845.
A Chorister in Bristol Cathedral, 1852. Afterwards articled pupil to J. D. Corfe. Assistant-Organist of Bristol Cathedral
and Organist of various churches in and around Bristol.
Conductor of the Colston Hall Concerts, and, following Sir Charles
Hallé's death, of the Bristol Musical Festival. Conductor of the Bristol
Royal Orpheus Glee Society, 1878. Conductor of the Bristol Society of
Instrumentalists, 1887. Conductor of the Bristol Choral Society, 1889.
For some time Professor of the Organ at the Royal Academy of Music,
Conductor of the Queen's Hall Choral Society, and Musical Director of
the Alexandra Palace, in London; resigning these appointments later.
Organist of
Colston Hall, Bristol, 1870
1876 - 1898 |
George Riseley
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Wikipedia page
Biographical Dictionary of the Organ
MR. GEORGE RISELEY DEAD
FAMOUS BRISTOL CONDUCTOR Mr. George Riseley, cx-Sheriff of Bristol, died to-day, aged 87. For many years conducted the Bristol Musical Festival, the Bristol Choral Society, and the Royal Orpheus Glee Society, and for fully 50 years he was the leading personality in musical circles in the West of England. The Royal Orpheus Glee Society gave Royal command performances at Buckingham Palace and Windsor Castle under Mr. Riseley. Mr. Riseley was articled 70 years ago to the organist Bristol Cathedral, and was appointed organist and choirmaster in 1876. founded the Bristol Society of Instrumentalists in 1877, and became conductor to the Royal Orpheus Glee Society in following year. He was conductor of the Bristol Choral Society for many years,
Gloucester Citizen
Tuesday 12 April 1932
(www.britishnewspaperarchive.co.uk)
Riseley, George, organist and conductor,,
born at Bristol, August 28, 1845.
Chorister in Bristol Cathedral when seven, and in 1862 articled to J. D. Corfe, the Cathedral organist.
After holding several organ appointments he officiated at All Saints', Clifton, until 1876, when he succeeded Mr. Corfe at the Cathedral. In 1870 he was appointed
organist of Colston Hall, and his recitals gained a high reputation. As a performer on the organ he has also been heard at the
Royal Albert Hall, where he gave a series of recitals in 1885. In 1877 he started the Bristol Monday Popular Concerts of orchestral
music, which have had a wide educational influence in the West of England. These he has carried on at great personal
sacrifice, and has introduced the most important works of all schools, including upwards of a hundred examples, orchestral and
choral, by British composers.
From 1878 he has been conductor of the Bristol Orpheus Society, the fame of which he has extended.
The Society, under his direction, has given concerts in London, 1894 and 1896 ; has sung at the Gloucester Festival, 1895 ; and before
the Queen, at Windsor Castle, 1895, when Her Majesty authorised the choir to use the prefix
"Royal," and presented Mr. Riseley with an inscribed baton. He is also conductor
of the Bristol Society of Instrumentalists, and a busy teacher.
Many tokens of the appreciation of his fellow citizens have been bestowed upon him. He was elected
conductor of the Bristol Festival in 1896, gaining further distinction in that important
ofhce. In 1893 he was appointed a professor of the organ at the R.A.M., of which Institution
he is an honorary member.
Of his compositions mention, may be made of a Jubilee Ode, performed at Bristol, 1887 ; a
Jubilee March for organ ; Where'er my footsteps stray, and The Old Church Bells, part
songs for men's voices ; a Christmas Carol, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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John Varley Roberts |
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John Varley Roberts, M.A., Propter merita, was born at Stanningley, near Leeds, September 25, 1841.
Conductor of the Oxford Choral and Philharmonic Society, 1885-1893.
Founder and first Conductor of the University Glee and Madrigal Society.
Lecturer in Harmony and Counterpoint for the University Professor of Music. One of the Examiners for University
Musical Degrees.
Retired December 31, 1918. Died February 9, 1920.
Composer of Church Music, Organ pieces, Songs, Part-songs, Etc.
Editor of the "Parish Church Chant Book," Etc.
Organist of
St. John's, Farsley (12 Yrs old)
St. Bartholomew's, Armley, 1862
Halifax Parish Church, 1868
1882 - 1918
St. Giles's, Oxford, 1885 - 1893
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Biographical Dictionary of the Organ
Cyber Hymnal Web Site
Choral Public Domain Library Web site
1876
Mus. Doc. John Varley Roberts
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DEATH OF DR. VARLEY ROBERTS
Famous Organist, Choirmaster and Composer.By the death or Dr. J. Varley Roberts, which. has just taken place at Oxford, British Church music Ioses a. predominant figure. The deceased musician was a, Yorkshirernan having been born at Stanningley, near Leeds, on September 25th, 1841. His talent developed early, and at 12 years of age he held a responsible position as organist at Farsley, near Leeds, After filling a number of positions as organist and choirmaster in mid-Yorkshire, including that at Halifax Parish Church, he was, in 1882, elected organist and master of the choristers at Magdalen College, Oxford, succeeding Sir Walter:. Parratt, and it was while occupying this position —which is regarded as one of the plums of the musical profession—that his wide fame was built up,
Extract:- Sheffield Daily Telegraph
Tuesday 10 February 1920
(www.britishnewspaperarchive.co.uk)
Roberts, John Varley, organist and
composer, born at Stanningley, near Leeds, September 25, 1841.
His musical talent was developed at an early age, and when twelve he was appointed organist of St. John's, Farsley, near Leeds ; in 1862 he was organist at
St. Bartholomew's, Armley, and in 1868 organist and choirnaaster of Halifax Parish Church. Graduated Mus. Bac. 1871, Mus. Doc. 1876, Oxford; F.C.O., 1876. In 1882 he was appointed to Magdalen College,
Oxford, as organist and magister choristarum, also holding office, 1885-93, at St. Giles' Church, Oxford. Conductor of the Oxford Choral and Philharmonic Society, 1885-93 ;
Madrigal Society of Magdalen College ; and of the Magdalen Vagabonds. Lecturer in harmony and counterpoint for the Oxford Professor of Music ; Examiner for Musical
Degrees, 1883-86-89-90. He has given many high-class concerts at Oxford.
Works.—Jonah, sacred cantata, 1876, performed at Oxford and many other places ; Psalm 103, for chorus and orchestra ; A full Morning, Communion, and Evening Service
in D ; Pull Communion Service in D ; Magnificat and Nunc Dimittis in C, composed for the Festival of the London Church Choir Association, St. Paul's Cathedral, 1894 ;
Evening Services in F, E, and G ; Four settings of the Benedictus ; The Lord's Prayer and Apostles' Creed in harmonised monotone ; Benedicite, Omnia Opera, etc.
Anthems : Lord, we pray Thee ; Seek ye the Lord ; Lord, who shall dwell ; Peace I leave with you ; I will sing unto the Lord, composed for the Jubilee Service in Magdalen
Chapel, 1887 ; The whole earth is at rest ; and others.
Part Songs : Cupid once upon a bed of roses ; Come, my dear one ; The shades of night ; A red, red rose.
Songs : The old Parish Church ; The Far-off Land ; Happy Moments ; My World ; Maiden with the merry eye ; A Farewell, etc. Andante in G, Postlude in F, Larghetto and Allegro in F, and other pieces for organ.
Editor of The Parish Church Chant Book, Novello ; Supplement to Cheetham's Psalmody ; The Victoria Book of Hymns.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Robert Roberts |
24th May 1840 - 9th Feb 1871 |
Robert Roberts was born in St. Anne's Parish, Llandegai, near Bangor, May 24, 1840.
A Chorister in St. Anne's Church. Pupil of H. S. Hayden (Organist of St. Mary's,
Carnarvon, and son of William Hayden, Deputy-Organist of St. Asaph
Cathedral. Student of the North Wales College for Schoolmasters, Carnarvon, where he became successively Third Master, Third Master and Music Master, and Music Master only.
Assistant-Organist of Bangor Cathedral, 1866; Organist, 1868 (appointed probationally by the year.)
Died of pleurisy, February 9, 1871. Buried in Glanadda Cemetery, Bangor.
Composer of a Welsh Funeral Service, Cantata, "The Siege of Harlech Castle," Part-songs, Etc.
A window was erected to his memory, and that of the Principal's two
children, in the North Wales Training College Chapel at Carnarvon (now
removed to Bangor). He was much beloved and respected, and his death,
at the age of thirty, was greatly deplored. At the funeral service, held in
the Cathedral, Spohr's "Blest are the departed" was sung, when one of
the choristers, William Jones (a great favourite of the deceased Organist),
became so affected during the singing of one of the solo portions that he
completely broke down, and sobbed aloud.
Organist of
1868 - 1871
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Biographical Dictionary of the Organ
Dictionary of Welsh Biography
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Francis James Robinson |
1799 - 21st Oct 1872 |
Francis James Robinson was born in Dublin, 1799.
Chorister in Christ Church Cathedral. Assistant Organist of Christ Church Cathedral, 1816. Vicar Choral of Christ Church Cathedral, 1833 ; Vicar
Choral of St. Patrick's Cathedral, 1843.
Died October 21, 1872. Composer of Church Music, Songs, Etc.
Editor of a collection of Irish Melodies.
The greatest tenor singer that the Dublin Cathedrals have ever possessed
Organist of
1828
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Biographical Dictionary of the Organ
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John Robinson |
1812 - 1844 |
John Robinson wasborn 1812(?). Brother to Francis James Robinson.
Chorister in Christ Cathedral Dublin.
Died 1844.
Organist of
, 1829
Trinity Chapel, 1834
, 1841
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Biographical Dictionary of the Organ
|
John Robinson |
1682 - 30th Apr 1762 |
John Robinson was born 1682.
Chorister in the Chapel Royal, and pupil of Blow.
Deputy-Organist at Westminster Abbey for some years before succeeding Dr. Croft in the full offce.
Died April 30, 1762. Buried in the North Aisle of the Choir of the Abbey,
in the same grave as Dr. Croft.
His Double Chant in E flat, said to have been the favourite of George Ill., is still very popular. (c1921)
Boyce, in the biographical notes to his "Cathedral Music," describes
Robinson as "a most excellent performer on the organ."
From the following memorandum, in a MS. book at the Abbey, it appears
that during Robinson's time the organ was removed from its ancient position in the North Choir Aisle to the Screen :—
"The new organ built by Mr. Shrider and Mr. Jordan was opened on the 1st
August, 1730, by Mr. Robinson ; the anthem, Purcell's 'O give thanks.'"
Organist of
St. Lawrence, Jewry, 1710 - 1762
St. Magnus, London Bridge, 1713 - 1762
1727 - 1762
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|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
 Westminster Abbey
Web Site
Hymnary Web site
Robinson, John, organist and composer,
born in 1682. He studied in the Chapel Royal under Dr. Blow. Organist of St. Lawrence Jewry, 1710, and St. Magnus, 1713.
Organist of Westminster Abbey, 1727. He died at London, April 30, 1762.
Composer of chants, psalms, etc. His wife, Ann Turner Robertson, whom he married in 1716, was a
vocalist of some fame in her day, and sang in the works.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
James Roche |
? - 6th Jun 1811 |
James Roche Organist and Master of the boys.
Paid for keeping the organ in repair and tune.
Died June 6, 1811.
Organist of
1797 - 1811
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Biographical Dictionary of the Organ
|
Benjamin Rogers |
May 1614 – Jun 1698 |
Benjamin Rogers, was born at Windsor, 1614. Chorister in St. George's Chapel, Windsor, and afterwards Lay Clerk there. Organist of Christ Church Cathedral, Dublin, 1639. Returned to England owing to the Rebellion and was again Lay Clerk of Windsor until 1644, when the Choir was disbanded.
After the Restoration he became Organist of Eton College and, for the third time, Lay Clerk of Windsor, also Assistant-Organist there to Dr. Child. Organist and "Informator Choristarum" of Magdalen College, Oxford, 1664, at a salary of £60 per annum and rooms in the College.
Was dismissed by the College, 1685-6, but was allowed a pension of £30, and lived in comparative obscurity at Oxford until his death in June, 1698. Buried at St. Peter-le-Bailey, Oxford.
Composer of much Church Music, Glees. Suites for Strings, and the Hymn "Te Deum Patrem colimus," which is sung annually on May 1st at early morning on the Magdalen Tower. Some of his Anthems are in MS. at Magdalen and New Colleges.
One cause of his dismissal was "his troublesome behaviour in the Chapel, where usually he would talk so loud in the organ loft, that he offended the company, and would not leave it off, though he hath been sent to by the President not to make such a scandalous noise there. There were frequent complaints of him from the Clerks, to whom, especially the
Chanter, he used to be very cross, in not playing Services as they were willing and able to sing, but out of a thwarting humour would play nothing but Canterbury Tune, wherein he minded not the honour of the College, but his own ease and laziness."
Organist of
1639
1664 - 1685/6
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Rogers, Benjamin, composer and organist,
born at Windsor in 1614. Son of Peter Rogers, lay-clerk of St. George's Chapel.
Chorister under Dr. Giles, and lay-clerk, St. George's Chapel, Windsor. Organist, Christ Church Cathedral, Dublin, 1639. Gentleman
of St. George's Chapel, Windsor, 1641. Music teacher in Windsor. Mus. Bac, Cantab., 1658. Organist of Eton College, circa 1662.
Reappointed lay-clerk, Windsor, 1662. Organist of Magdalen College, Oxford, 1664-85. Mus. Doc, Oxon., 1669. He died at Oxford,
June, 1698.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
George Frederick Handel Rogers |
|
George Frederick Handel Rogers ...
Born 1806. Appointed Vicar Choral, Limerick Cathedral, 1861. Resigned, 1885. Died, 1892.
Organist of
1835 - 1885
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Biographical Dictionary of the Organ
|
Roland Rogers |
1847 - 31st Jul 1927 |
Roland Rogers was born at West Bromwich, 1847.
Resigned the post at Bangor Cathedral, 1892, and became
Organist of St. James's, Bangor, and Lecturer in Music at the University
College of North Wales. Reappointed Organist of Bangor Cathedral, 1906.
Composer of Cantatas, "Prayer and Praise," "Florabel," and "The
Garden," Church Music, Part-songs, Organ pieces.
Organist of
St. Peter's, West Bromwich, 1858;
St. John's, Wolverhampton, 1862
Tettenhall Parish Church, 1867
1871 - 1892
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|
Biographical Dictionary of the Organ
 Dictionary of Welsh Biography
Rogers, Roland, organist, conductor,
and composer, born at West Bromwich, Staffordshire, November 17, 1847. Studied under his father, a good violinist, and a local
teacher. In 1858 he was organist of St. Peter's, West Bromwich, and when only fifteen secured a similar appointment at St. John's, Wolverhampton. He moved to Tettenhall
Parish Church, in 1868, and in 1871 was appointed to Bangor Cathedral. There he raised the musical services to a high position. He resigned at the end of 1891.
Graduated Mus. Bac. 1870, Mus. Doc. 1875, Oxford. A fine executant, he has given recitals at St. George's Hall, Liverpool (a series in 1890), and in other places, besides
annual series in Bangor Cathedral. Conducted the Penrhyn and Arvonic Choirs, winning many Eisteddfodic prizes. Is now chiefly devoted to teaching, holding a leading
position in Wales.
His compositions comprise Psalm 130, for soli, chorus, and strings ; Prayer and Praise, cantata, soli, eight-part chorus and orchestra ; anthems and services ;
prize cantata. The Garden, produced at Llandudno, June 30, 1896 ; Florabel, cantata for female voices ; school songs, part-songs, and
songs ; symphony for orchestra; string quintet ; organ pieces, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Thomas Rolfe |
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Thomas Rolfe
No names are available in the Rolls of St. George's Chapel, Windsor, from 1442 until Thomas Rolfe was paid that year 26s. 8d. as a Clerk,
20s. as Master of the Choristers, 13s. 4d. for playing the organ during the whole year, and a further 3s. 4d. for playing ad Missam Beatae Mariae Virginis. This last
is an interesting detail, for it shows that the daily Mass of the Virgin was celebrated with music as well as the daily High Mass, and that independent remuneration was
given to the Organist for the two Services. The Statutes of 1352 order that our Lady's Mass is to be said "cum nota" (with note) and the precise meaning of this has
been the subject of different opinions. But this entry in the Windsor Rolls provides clear evidence that the phrase does denote a musical rendering, though of a less
elaborate character than that employed at the High Mass.
In the 1463 Rolfe received 13s. 4d. for playing the organ in choro, meaning at High Mass, and 3s. 4d. for playing ad missam Beatae Mariae Virginis. Rolfe
probably held office as Organist continuously till the year 1468-9.
Extract:- Organists And Masters Of The Choristers Of St. George's Chapel by E.H. Fellowes
Organist of
1461-69 & 1470-84 |
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Biographical Dictionary of the Organ
Organists Of St George's Chapel
|
Cyril Bradley Rootham |
5th Oct 1875 - 18th Mar 1938 |
Cyril Bradley Rootham was the son of D. W. Rootham, the Conductor for many years of the Bristol
Madrigal Society.
Born at Bristol, October 5, 1875. Pupil of W. F. Trimnell and Cedric Bucknall, at Clifton College, and afterwards
student of the Royal College of Music under Sir Charles Stanford and
Sir Walter Parratt.
Organist successively of Christ Church, Hampstead, 1898; St. Asaph Cathedral, 1901 ; and St. John's College, Cambridge, 1901. Composer of an Ode, a Ballad for baritone, a Cantata,
"Andromeda," Church Music, Part-songs, Organ pieces, Songs,
In 1939 broadcast on National radio.
Organist of
Christ Church, Hampstead, 1898
1901
1901
|
Cyril Bradley Rootham |
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
COMPOSER’S DEATH
Unfinished Symphony to be Completed Friend An unfinished symphony left by Dr. Cyril Bradley Rootham, the 62-years old composer, who died at his home at Cambridge yesterday from pneumonia, will be completed by Dr. Patrick Hadley, his friend and former pupil.
Dr. Rootham had been working on the composition of his second symphony for two years, but latterly his hands had failed him and he dictated the work to his pupils. The sketch is finished, but part of the scoring is incomplete. Dr. Rootham left it with Dr. Hadley for the instrumentation for orchestra to be completed.
The composer’s works were frequently broadcast by the B.B.C. one, "Brown Earth," a fortnight ago.
He was University lecturer in form and analysis of music from 1913-18, and conductor of the University Musical Society for 14 years until 1936. He had been Fellow since 1914, and organist since 1901, of St. John’s College, Cambridge.
Formerly organist at St. Asaph Cathedral, Dr. Rootham examined for musical degrees at Cambridge University and conducted performances of works in the Cambridge Theatre between 1911 and 1928.
Belfast News-Letter
Saturday 19 March 1938
(www.britishnewspaperarchive.co.uk)
|
Edgar Stanley Roper |
23rd Dec 1878 - 19th Nov 1953 |
Edgar Stanley Roper, was born at Croydon, December 23. 1878.
Chorister in Westminster Abbey, 1887.1893. Pupil of Sir Frederick Bridge, 1896-1899. Organ-Scholar
of Corpus Christi College, Cambridge, 1899-1903. Studied at Cambridge under Sir Charles Stanford, Dr. Sweeting, and Dr. E. W. Naylor.
Stewart of Rannoch Scholar, 1900-1903.Musical Director of Bishopsgate Institute, 1913. Assistant-Organist of Westminster Abbey, 1917. Professor at Trinity College of Music. Conductor of Lothbury
and Stock Exchange Male Choirs. Organist and Composer to the Chapel Royal, 1919.
Organist of
St. Paul's, Hammersmith, 1903-1912
Assistant-Organist of the Chapel Royal, 1905-1916
Organist to the Danish Service, Marlborough House, 1909-1919
St. Stephen's, Walbrook, 1912-1919
1919 -
|
|
Biographical Dictionary of the Organ
Hymnary Web site
 Link to the Discogs page
New Organist of St James PalaceThe King has appointed Mr Edgar Stanley Roper, F. R. C. O., to be organist, choirmaster, and composer at the Chapel Royal, St James's Palace, in room of the late Dr Charles Harford Lloyd
The Scotsman
Saturday 15 November 1919
(www.britishnewspaperarchive.co.uk)
Was 50 years organist at Chapels Royal Dr. Edgar Stanley Roper, former organist, choirmaster and composer at the Chapels Royal died to-day. He would have been 75 next month. He had been critically ill at his home in Streatham Hill, London.
For over SO years he was suborganist or organist at the Chapels Royal, a record unequalled by any of his predecessors, who included Thomas Tails, William Byrd, Henry Purcell, and Orlando Gibbons.
He took part in the Coronation ceremonies of King Edward VII. King George V. and King George VI. He was organist at Westminster Abbey for tie funeral service of the Unknown Warrior, and wrote the special settings for the Te Deum and the Benedictus for the Coronation of King George VI. to whom the work was dedicated.
Belfast Telegraph
Thursday 19 November 1953
(www.britishnewspaperarchive.co.uk)
|
Daniel Rosingrave |
c.1655 – May 1727 |
Daniel Rosingrave was a Chorister in the Chapel Royal. Pupil of Henry Purcell and Dr. Blow.
Organist and Stipendiary of Christ Church Cathedral, Dublin, 1698.
Died in Dublin, 1727.
Composer of Church Music.
In 1699 Daniel Rosingrave and Robert Hodge (Master of the Choristers at
Christ Church, and predecessor of Rosingrave as Organist of St Patrick's), were ordered to appear before the Dean and Chapter of
St. Patrick's for using "very scurrilous language" and for fighting together at a tavern. Rosingrave, as "ye first and chief aggressor,"
was fined £3, and Hodge 20s. , the former being required to "beg publick pardonv of the latter. At Christ Church, also, Rosingrave was
ordered suspension in 1700 for assaulting Thomas Finell, and the Dean and Chapter further ordered "that from henceforth no Vicar or
Stipendiary of this Church do wear a sword, under the penalty of expulsion." The suspension order was subsequently annulled by
payment of a fine. In 1679, while Organist of Gloucester Cathedral, he had been admonished "for beating and wounding of John Payn, one of the singing men of this
Church."
Organist of
1679
1682
1692
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|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Ralph Rosingrave |
- 1747 |
Ralph Rosingrave
Son of Daniel Rosingrave. Appointed a Vicar Choral of St. Patrick's Cathedral,
1719 ; Assistant-Organist there, 1726.
Died 1747.
Two Services, in C and F, and several of his Anthems are in the Dublin Cathedral books. An old organ book formerly in the possession of Mr. J. S. Bumpus contains a
Service in F by R. Rosingrave, with a setting of the Benedicite. Ralph Rosingrave was probably the "young Rosingrave" mentioned as being
appointed Organist of Trinity College Chapel in 1705.
Organist of
1727 - 1747
1727 - 1747
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|
Biographical Dictionary of the Organ
Link to the Discogs page
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John Bernard Sale |
1779 - 16th Sep 1856 |
John Bernard Sale was born at Windsor, 1779. Chorister in St. George's Chapel, Windsor, and in
Eton College. Lay Vicar of Westminster Abbey, 1800. Gentleman of the Chapel Royal, 1803. Instructor in Music to H.M. the Queen.
Died in London, September 16, 1856.
Editor of "Psalms and Hymns for the Service of the Church," Glees, Songs, Etc.
Organist of
St. Margaret's, Westminster, 1809
1838 - 1856
|
|
Biographical Dictionary of the Organ
(Listed under his father)
Dictionary of National Biography
DEATHS On the 16th inst., at 21, Holywell-street, Millbank, in the 78th year of his age, John Bernard Sale, Esq., formerly musical instructor to her Majesty.
Northampton Mercury
Saturday 20 September 1856
(www.britishnewspaperarchive.co.uk)
5ale, John Bernard, composer and bass
vocalist, born at Windsor in 1779. He was a chorister in St. George's Chapel, Windsor, and in Eton College, 1785.
Lay-vicar, Westminster Abbey, 1800. Gentleman of Chapel Royal, 1803. Organist of St. Margaret's, Westminster, 1809. Musical instructor to Queen Victoria. Organist of the
Chapel Roval, 1838. He died at London, September 16, 1856.
Works.—Psalms and Hvmns for the Service of the Church, London, 1837. S. Webbe's
Solfegios as Exercising Duetts, newly arranged by J. B. Sale, London, n.d. Glees : listen to the voice of love ; You ask the reason why
I love ; The Butterfly ; Little Piggy, and other duets. Songs .- The Robin, etc. Marches for pf.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Bertram Luard-Selby |
12th Feb 1853 - 26th Dec 1918 |
Bertram Luard-Selby was born at Ightham, Kent, February 12, 1853. Studied at the Leipzig Conservatorium under
Reinecke 
Carl Reinecke
23 Jun 1824 – 10 Mar 1910
A German composer, conductor, and pianist in the Middle Romantic Era.Jadassohn 
Salomon Jadassohn
13 Aug 1831 – 1 Feb 1902
German pianist, composer and a renowned teacher of piano and composition at the Leipzig Conservatory.
Died December 26, 1918.
Composer of Operas, Church Music, Orchestral Music, Chamber Music, Organ pieces, Part-songs, Pianoforte pieces, Songs, Chamber Music, Etc.
Organist of
St. Barnabas, Marylebone 1876
Highgate School, 1876
1881 - 1883
St, John's, Torquay, 1884
St. Barnabas, Pimlico, 1887
St. Andrew's, Willesden Green
All Saints', Norfolk Square
1900 - 1916
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Bertram Luard-Selby
|
Wikipedia page
Biographical Dictionary of the Organ
Selby, Bertram Luard, composer and
organist, born in Kent, February 12, 1853.
Was organist of Salisbury Cathedral, 1881-3 ; now organist of St. Barnabas, Pimlico, London. Gave concerts in London, 1880, etc.
Works.—Operas : The Ring (1886) ; and Adela, produced at Nottingham, February,
1888. Music to Helena in Troas, London, May 17, 1886. Weather or No, musical duologue.
Savoy, August 10, 1896. School cantata, The Waits of Breixien. Songs and part-songs.
Morning and Evening Service, with Communion office, in C. Idyl for orchestra,
Henschel concerts, March 11, 1897. Two quintets, pf. and strings. Sonata and suite,
violin and pf. Sonata in D, Sonata on Dies Irse, and other pieces for organ. Suite for
pf., etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
DeathsIt will be learnt with regret that Mr. Bertram Luard Selby, who was formerly organist of Rochester Cathedral, died onBoxing Day in his sixty-sixth year, at Winterton Vicarage, Lincolnshire
Kent & Sussex Courier
Friday 03 January 1919
(www.britishnewspaperarchive.co.uk)
|
William Sexton |
1764 - 1824 |
William Sexton was born 1764. Chorister in St. George's Chapel, Windsor, and in Eton College.
Pupil of Edward Webb. For some years Assistant-Organist of St. George's
Chapel. Organist, Sub-Precentor, and Master of the Choristers, of St. George's Chapel 1801
Died 1824.
Composer of Church Music, Glees, Songs, Etc.
Organist of
1801 - 1824
|
|
Wikipedia page
Biographical Dictionary of the Organ
Organists Of St George's Chapel
Sexton, William, composer and organist,
born in 1764. Chorister in St. George's Chapel, Windsor, and Eton College, 1773.
He studied under Edward Webb. Organist, sub-precentor, and master of choristers, St. George's Chapel, Windsor, 1801. He died
about 1824. Composer of anthems, glees, and songs ; and edited Handel's Chandos Anthem, 1808.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Alexander Shaw |
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Alexander Shaw
Composer of Services in G and E minor, and two Anthems in the Cathedral
books.
Extract from an Organ book at Durham: "Prick'd by Alexr Shaw, Orgt.—Mr. Alexr Shaw was paid to pricking thus far, Oct. 30, 1678 (and again),
1679, by me, Thos. Smith, Treasurer."
Organist of
1677 - 1681
|
|
Biographical Dictionary of the Organ
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John Sheppard |
|
John Sheppard
Instructor of the Choristers at Magdalen College and probably also Organist. Fellow, 1549-1551.
Chorister in St. Paul's Cathedral under Thomas Mulliner. He appears to
have supplicated, as a "student of music for the space of twenty years,"
for the degree of Mus.D., but it is not known whether he was admitted.
Admonished three times by his College for offences "contra formam
statuti." One of these was entrapping and carrying away a chorister
from Malmesbury without the Kings license for so doing. He was a
Gentleman of the Chapel Royal under Queen Mary. His music,
some of which is preserved in MS., is mentioned by Hawkins, Burney,
and Morley ("Introduction"). The words of some of his Anthems
appeared in Clifford's Collection. An Anthem by him, "I give you a
new Commandment," was printed in "The Parish Choir" (1848).
Organist of
1542 - 1554
|
|
Biographical Dictionary of the Organ
1554.
Mus. Doc.—John Shepeard, or Sheppard, who had been a student
of music at Oxford for twenty years, and had composed many
Cantiones. His grace was granted, but it does not seem that
he took the degree, for in the succeeding year he is mentioned
in official documents without the title of Doctor. Grove's
Dictionary makes him a Mus. Bac., but in his supplication for
the degree of Mus. Doc. he is called simply "studiosus
musices." He was Organist, Choirmaster, and Fellow of
Magdalen College. Morley includes him among famous
Englishmen. Burney and Hawkins give specimens of his
compositions, of which a considerable number is extant in
Day's "Morning and Evening Prayer," 1560 ; "Whole book
of Psalms," 1563 ; in the Music School at Oxford, in the
British Museum, and the Library of the Royal College of
Music.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
|
William Shrubsole |
1760 - 18th Jan 1806 |
William Shrubsole wasd born at Canterbury, 1760.
Chorister in Canterbury Cathedral.
Dismissed from Bangor Cathedral in 1784 for "frequenting Conventicles." †
Appointed the same year Organist of Spa Fields Chapel, Clerkenwell,
London.
Died in London, January 18, 1806. Buried in Bunhill Fields, Finsbury.
Composer of the tune " Miles Lane," Richard Shireby plays the 1877 Conacher tracker pipe organ in the workshop of Ireland-Shirebytombstone 
Within a month of his appointment at Bangor, he performed his duties
in a manner so satisfactory and promising that the Chapter thought
proper for his encouragement to allow him £8 8s. towards the expense
of his journey and the removal of his harpsichord and other effects from
London to Bangor.
† a secret or unlawful religious meeting, typically of nonconformists
Organist of
1782 - 1784
|
|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
Shrubsole, William, organist and composer,
born at Canterbury in 1760. He was a chorister in Canterbury Cathedral from 1770 till 1777. In September, 1782, he was
appointed organist of Bangor Cathedral at a salary of forty guineas a year. In December, 1783, he was dismissed for being too closely connected "with one Abbott late of this place,"
and for "frequenting conventicles." He therefore next became organist of Spa Fields Chapel, Clerkenwell, in 1784, and held the
post till his death, at London, January 18, 1S06. He was buried in Bunhill Fields,London, where a monument marks his grave.
This was restored by public subscriptions collected by Mr. F. G. Edwards, in 1892.
Benjamin Jacob and William Russell were among his pupils. Shrubsole is now chiefly remembered as the composer of the once popular
hymn tune called "Miles Lane," or sometimes "Scarborough."
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
John Silver |
|
John Silver
had been Master of the Choristers of Winchester Cathedral since 1638,
and was appointed Organist at the Restoration. From this time the offices
of Master of the Choristers and Organist were combined.
The MS. parts of a Service in F and two Anthems by him were in the
possession of the late J. S. Bumpus.
The Survey of Houses in the Cathedral Close, July, 1649, includes the
following :-—
"A Howse in the possession of one Mr. Silver, formerly Organist of the
Cathedrall Church, and did hold the same in right of his place. The said
Howse consistinge of three chambers and three small roomes, all above
staires, valued at Forty Shillings p. ann. (Etc.)"
From this it would appear that John Silver had also been Organist before the
period of the Rebellion. Probably he undertook the duties of this office
from the time Gibbons joined the Royalist Army until the Cathedral
Services were suspended in the Autumn of 1645.
The name of John Silver also occurs in the records of Dulwich College
(1627-1631), and Wimborne Minster (in 1663), as Organist. It cannot
be ascertained, however, whether all the appointments above-mentioned
were held by the same person.
Organist of
?1627
1661 - (?)1666
|
|
Biographical Dictionary of the Organ
|
George Robertson Sinclair |
28th Oct 1862 - 7th Feb 1917 |
George Robertson Sinclair, was born at Croydon, October 28, 1862.
Student at the Royal Irish Academy of Music. Chorister in, and afterwards Assistant-Organist at, St. Michael's
College, Tenbury. Pupil of Dr. C. Harford Lloyd, and Assistant-Organist of Gloucester Cathedral.
Conductor of the Hereford Festivals, Hereford Choral Society, Hereford Orchestral Society, Birmingham Festival Choral Society, Etc.
Died suddenly at Birmingham, February 7, 1917.
Composer of Church Music, Etc.
The new organ in Truro Cathedral, by Willis, was built under Dr. Sinclair's direction; and during his appointment at Hereford the sum of £2,300 was
raised through his energy, and the Cathedral organ rebuilt (also by Willis) from his specification.
Organist of
St. Mary-le-Crypt, Gloucester, 1879
1881
|
George Robertson Sinclair
|
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
 Composers For Organs
Portrait Gallery
SUDDEN DEATH OF DR. SINCLAIR. OBGANIST OF HEREFORD CATHEDRAL Dr. George Robertson Sinclair. Mus. Doc., Hon. F.R.C.0.. Hon. R.A.M., L.R.A.M.. organist of Hereford Cathedral and conductor Birmingham Festival Society, died suddenly at Birmingham on Wednesday night. He conducted a rehearsal in the city, and afterwards went to his hotel, where, at 11.30, he was found in his bedroom in state of collapse. "Medical assistance was summoned, but death took place before the doctor arrived. Dr. Sinclair, who was54years of age, was well known in English musical circles, Born at Croydon in 1863, and educated atSt. Michael's College, Tenbury, of which was honorary fellow.Dr. Sinclair studiedmusic under Sir F. Ouseley. Sir Robert Stewart, and Dr. C. H. Lloyd. He was assistant organist at Gloucester Cathedral, and organist and choirmaster St. Mary de Crypt Church, Gloucester (1880); and at the age 17 was appointed organist and choirmaster of Truro Cathedral. As conductor of the Three Choirs Festivals at Hereford Cathedral, where went in 1889, Dr. Sinclair is best known to music lovers in this part the country. He filled this role during the time he was at Hereford eight, times, viz., 1891-4-7, 1900-3-6-9-12. The fact of his appointment as conductor to the Birmingham Festival Choral is sufficient testimony to the esteem in which he was held in the larger world of music. He also conducted the Hereford Choral Society, the Herefordshire Orchestral Society, the Diocesan Choral Union, and the Ross Musical Society; was Grand Organist to the Freemasons' Grand Lodge of England; Grand Organist to the Grand Lodge of Mark Master Masons (1903) and Grand Organist to the Supremo Grand Chapter of the Royal Arch (1909). In music his tastes were catholic, and his abilities both as an executant and conductor of a high order; he was also a composer of merit. In his leisure hours he hobbied in motor-cycling and photography. His death will be much regretted in the musical world .
Cheltenham Chronicle
Saturday 10 February 1917
(www.britishnewspaperarchive.co.uk)
Sinclair, George Robertson, organist and conductor, born at Croydon, October 28,
1863. Son of the late R. S. Sinclair, LL.D., of Dublin. When eight he began his studies
at the R.I.A.M., Dublin, and a year later entered St. Michael's College. Tenbury, where
he remained six years. In 1879 he became a pupil of Dr. Harford Lloyd, of Gloucester
Cathedral, and was his assistant organist, as well as officiating at St. Mary de Crypt
Church. At the close of 1881 he was appointed by the Chapter organist of Truro Cathedral,
where he worked up the choir to a high efficiency, and presided over a gathering of
700 performers at the consecration service in November, 1887. He originated, and was
Diocesan Choirmaster of, the Deanery of Powder Choir Association, and conductor of
other societies. In 1889 he succeeded the late Dr. Colborne as organist and master of
the choristers at Hereford. Conducted the Hereford Festivals of 1891 and 1894 with
conspicuous ability. He is a brilliant organ player, and has given many recitals. He
conducts societies at Hereford and Ross. Elected Hon. R.A.M., 1895.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Highmore Skeats (Senr.) |
1760 - 29th Jun 1831 |
Highmore Skeats (Senr.) was born 1760. Chorister in Exeter Cathedral. Vicar Choral of Salisbury Cathedral.
Died at Canterbury, June 29, 1831. Buried in St. Martin's Churchyard.
Composer of Church Music (including a Complete Morning and Evening Service in C, in triple time throughout), Glees, Songs, Etc. Editor of
Dr. J. Stephens's Cathedral Music and of a Collection of Songs. His Anthem, "The righteous souls that take their flight," is included in a
Collection of Short Anthems by Dr. Longhurst, and has been sung at the burial of several of the Canons, Etc., of Canterbury.
In 1825 (or 1826) James Longhurst, father of Dr. W. H. Longhurst, added "German pedals" to the old organ, then standing on the Rood Screen,
and supplied the instrument with seven 16-ft. pedal pipes. These "German pedals" were supposed to have been the first examples of their
kind introduced into Kent. Skeats, then Organist, had a great aversion to them, and would not use them. When anybody wished to hear the
pedal pipes he would call his pupil, Jones, saying: "Here, Jones, come and
show these things off, I never learned to dance."
Organist of
, 1778-1803.
1803 - 1831
|
Highmore Skeats (Senr.) |
Biographical Dictionary of the Organ
Link to the Discogs page
Organists Of St George's Chapel
Skeats, Highmore, organist and composer,
was organist of Canterbury Cathedral.
He died at Canterbury in 1831. Compiler of
"A Collection of Songs," London, 1784, and
edited Stephens' Cathedral Music, 1805.
Also composed All gracious freedom, glee
[1790] ; Cease thy carols, and Victory of
Fishguard, songs.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Highmore Skeats (Junr.) |
1786 - 24th Feb 1835 |
Highmore Skeats (Junr.) Son of the above was born at Canterbury, 1786. Presumably a pupil of his father, whom he
succeeded as Organist of Ely Cathedral.
Died at Windsor, February 24, 1835. Buried in the Cloisters of St. George's Chapel.
Composer of Church Music.
Organist of
1804 - 1830
1830 - 1835
|
|
Biographical Dictionary of the Organ
Highmore Skeats, composer and
organist, was born at Canterbury, in 1785. He became organist of Ely Cathedral, and afterwards
of St. George's Chapel, Windsor, in 1830, and died at Windsor, February 24, 1835.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
George Skelton |
|
George Skelton
Son of George Skelton, a blacksmith of Lincoln. Admitted a Burghersh
Chanter in Lincoln Cathedral, 1782 ; Chorister, 1785. Succeeded Hasted as
Organist of Lincoln Cathedral, 1794. Resigned 1850.
His son, G. J. Skelton (with whom he resided after his retirement), was
Organist of Holy Trimty Church, Hull, and composer of the once well known Chant Service—Skelton in D.
Organist of
1850 - 1794
|
|
Biographical Dictionary of the Organ
|
George Thomas Smart |
10th May 1776 - 23rd Feb 1867 |
Sir George Thomas Smart, was born in London, May 10, 1776. Chorister in the Chapel Royal. Pupil of Dupuis and Ayrton.
Knighted at Dublin, 1811.
Conductor of the Philharmonic Society, 1813-1844.
Composer to the Chapel Royal, 1838.
Conductor of the principal Musical Festivals of the time.
Died at 12, Bedford Square, London, February 23, 1867. Buried in the catacombs, Kensal Green Cemetery.
Composer of Church Music, Glees, Sonatinas for the Pianoforte. Editor of a Collection of Madrigals, Etc.
Organist of
St. James's Chapel, Hampstead Road, 1791
1822 - 1867
|
George Thomas Smart |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Public NoticeSir George Thomas Smart, the veteran organist of the Chapel Royal, St. James's, died in London on Saturday, in his 92nd year.
He was born in 1776, was knighted in 1811, and was for many years an eminent and successful teacher of music He succeeded Mr. Charles vett, as organist of the Chapel Royal in 1822. on the nomination of the late Archbishop of Canterbury (Howley) when Bishop of London and Dean of the Chapels Royal.
Sir George directed the music at the coronations of King William IV. and Queen Victoria, and, as a conductor, had directed above 1020 oratorios.
Weber was an intimate friend of his, and lived for a long time at his house; and Jenny Lind studied the "Messiah" with him preparatory to her first memorable appearance in English oratorio.
Birmingham Journal
Saturday 02 March 1867
(www.britishnewspaperarchive.co.uk)
Smart, Sir George Thomas, conductor
and teacher, born at London, May 10, 1776. He was a chorister in the Chapel Royal under
Ayrton, and studied the organ under Dupuis, and composition under Arnold. Organist of
St. James' Chapel, Hampstead Road, London. Knighted at Dublin by Lord Lieutenant,
after conducting a successful series of concerts. 1811. Original member of the Philharmonic
Society, 1813. Conductor of concerts of Philharmonic Society, 1813-44. Conductor of the
Lenten oratorios. One of the organists of the Chapel Royal, 1822. Connected with
Weber, who died at his house in 1826. Conducted Mendelssohn's "St. Paul," at Liverpool
in 1836. Composer to the Chapel Royal, 1838. Conducted all the principal provincial festivals
of his time, and arranged and conducted the music at the coronations of William IV. and
Victoria. He died at Bedford Square, London, February 23, 1867. One of the greatest
English conductors. He was a successful vocal teacher, and gave instruction to Jenny
Lind and Sontag.
Works.—A collection of glees and canons, London [1863] ; Collection of sacred music, 2
vols.; Three sonatinas for pf. [1800]; An acrostic elegy on. ..Viscount Horatio Nelson [1805];
The Œolus Frigate, a favourite dance as performed at Weymouth, 1801. Glees : Merry
Gypsies, Peace at home, Sighs, Squirrel, Butterfly's Ball (canzonnettina), Garland, The
Wreck (on the loss of the Forfarshire), 1839, etc. He edited Gibbons' "First set of
Madrigals," for the Musical Antiquarian Society, 1841 ; works by Beethoven, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
George Townshend Smith |
14th Nov 1813 - 3rd Aug 1877 |
George Townshend Smith was the son of Edward Smith, a Lay Clerk of St. George's Chapel, Windsor.
He was born at Windsor, November 14, 1813.
Chorister in St. George's Chapel, Windsor, under Skeats. Pupil of Dr. S. S. Wesley.
Succeeded J. Hunt, at Hereford Cathedral. 1843. Conductor and Hon. Secretary of the Hereford Festivals.
Died suddenly, August 3, 1877.
There is a
stained glass window THE TOWNSHEND SMITH MEMORIALWe learn from the Hereford Times that the memorial to the late George Townshend Smith, for 34 years the accomplished organist of Hereford Cathedral, and one of the most genial men that ever lived, has taken the form of a window, which has been fixed in the clerestory of the north transept.
The originally proposed idea of a mural tablet of incised marbles was given up in a ccordance with the wishes of the Dean and Chapter.
The window consists of seven circles, arranged to form a rose-shaped design. The central circle is two feet in diameter; each of the smaller circles is about one foot in diameter. The subject of the central circle is that of David playing on the harp. This circle also contains the words "David Rex," let in on the left side of the figure. The smaller circles contain each an angel figure playing upon a stringed instrument, varied for each circle.
In these circles also occur the words "Alleluia" and "Holy, Holy, Holy." In a border surrounding the central circle is contained the inscripion—"George Townshend Smith, ob. Aug., 1877, ret 63."
The prevailing colours are Prussian blue, ruby, orange, and white. "The great height of the window caused, many to express a doubt whether the colours and figures would be seen at all, but now that the memorial is erected, surprise has been expressed at the beauty of the colouring arid clearness of outline of the subjects at a height of 62 feet from the floor. This reflects great credit upon the artists, Messrs Clayton and Bell, of Regent street, London,
and shows that the position of the window was carefully borne in mind in preparing the design and colours. The work of fixing the glass in the cathedral has been carefully carried out under the superintendence of Mr. Hobart Clarke, sculptor, of Portland-street, Hereford. The window has a rich and artistic appearance, and is conidered to be an ornament to the spot where it is placed.
The thanks of the subscribers are due to the Dean and Chapter for having granted them so visible and favourable a site.
An ornamental brass had previously been placed on the south wall near the back of the organ by the widow and daugh-tors of the demised.
Windsor and Eton Express
Saturday 05 November 1881
(www.britishnewspaperarchive.co.uk)
to his memory in the Cathedral. Composer of Church Music. A Jubilate by
him was written expressly for and performed at the Hereford Festival of 1855 ; and an Anthem, "O how amiable," was composed for and produced at the re-opening Service at Hereford Cathedral, after its restoration.
Organist of
Old Parish Church, Eastbourne;
St. Margaret's, Lynn;
1843 - 1877
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Biographical Dictionary of the Organ
Smith, George Townshend, organist
and composer (brother of Alfred Montem and Samuel Smith), born at Windsor, November 14, 1813. Son of Edward Woodley Smith lay-clerk of St. George's Chapel, Windsor.
He was a chorister in St. George's Chapel, Windsor, under Highmore Skeats, and he also studied music under S. Wesley. Organist
successively of the old Parish Church, Eastbourne; of St. Margaret's, Lynn ; of Hereford Cathedral, 1843. He acted as conductor and
honorary secretary of the Three Choirs Festivals. Died at Hereford, August 3, 1877. He composed anthems, songs, and other vocal
music, also quadrilles and other light music for the pf.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
John Stafford Smith |
1750 - 21st Sep 1836 |
John Stafford Smith
was the son of Martin Smith, Organist of Gloucester Cathedral.
Born at Gloucester, 1750. Pupil of his father, and afterwards of Dr. Boyce.
Gentleman of the Chapel Royal, 1784. Organist at the Gloucester Festival of
1790. Lay Clerk of Westminster Abbey, 1794.Master of the Children at Chapel Royal and "Lutenist," 1805 until 1817.
Died September 21, 1836.
Composer of Church Music, Glees, Etc.
Editor of "Musica Antiqua," Songs, Etc.
Smith greatly assisted Hawkins in the compilation of his "History of Music,"
by lending him old and rare MSS., of which he possessed a large and
interesting collection. His extensive and valuable Musical Library was
sold by auction in 1844.
Organist of
1802 - 1836
|
John Stafford Smith |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Hymnary Web site
Composed Tune Of U.S. AnthemSomewhere about 1780 John Stafford Smith wrote "The Anacreoutic Song" for a Society with that name London. Some years later an American wrote words fit the tune and it became "The Star Spangled Banner", the national anthem of the U.S.A.
John Stafford Smith, born in and educated in Gloucesterwas the second son Martin Smith, organist of Gloucester Cathedral.
Next year marks the bi-centennary of John Stafford Smith's birth and a move being considered mark it In suitable fashion Gloucester.
Gloucester Journal
Saturday 01 October 1949
(www.britishnewspaperarchive.co.uk)
Smith, John Stafford, organist and
composer, born at Gloucester about March, 1750. He was the son of martin Smith, organist of Gloucester Cathedral from 1743 to 1782.
He studied music under his father and Dr. Boyce, and became a gentleman of the Chapel Royal in 1784. In 1795, he
was made lay-vicar of Westminster Abbey, and in 1802, he succeeded Dr. Arnold as organist of the Chapel Royal. From 1805 to
1817, he held the position of master of the children of the Chapel Royal. He died at London, September 21, 1836.
Works.— Anthems, composed for the choir service of the Church of England, London,
n.d. Twelve chants, composed for the use of the choirs of the Church of England, London,
n.d. Collection of songs of various kinds for different voices, London, 1785. Collection of
glees for 3, 4, 5, and 6 voices, London, n.d. With some of these he gained prizes between 1773
and 1780. Edited : Musica Antiqua, a selection of music of this and other countries, from
the commencement of the twelfth to the beginning of the eighteenth century, comprising
some of the earliest and most curious motettes, madrigals, etc., London, 1812, 2
vols. ; Collection of English songs, in score, for 8 and 4 voices, composed about the year
1500, taken from MSS. of the same age, London, 1779. Smith aided Hawkins with
his "History of Music."
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Martin Smith |
|
Martin Smith Father of John Stafford Smith, master of the Children and organist of the Chapel Royal.
The words of Anthems by him are included in Marshall's Collection.
Organist of
1782 - 1740
|
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Biographical Dictionary of the Organ
|
Edward Smyth |
|
Edward Smyth was the son of William Smyth.
Died 1611.
Composer also of Anthems and Responses in the Durham Cathedral books.
His name appears as one of the composers in Clifford's Words of Anthems.
Organist of
1609 - 1611
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Biographical Dictionary of the Organ
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Charles Frederick South |
6th Feb 1850 - 12th Aug 1866 |
Charles Frederick South was born in London, February 6, 1850.
Pupil of his brother, H. J. South, and George Cooper, occasionally deputising for the latter at St. Paul's
Cathedral.
Conductor for a few years of the Sarum Choral Society.
Died August 12, 1916.
Composer of Church Music.
Organist of
Aske's Hospital, Hoxton, 1866
St. Augustine and St. Faith, E.C., 1868
1883 - 1916
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Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Mr Charles Frederick South, organist of Salisbury Cathedral, has died at his residence, The Close, Salisbury, at the age of sixty-six. He had held the position at Salisbury Cathedral for over 32 years, being appointed in January, 1884.
Dundee Evening Telegraph
Monday 14 August 1916
(www.britishnewspaperarchive.co.uk)
South, Charles Frederick, organist born
in London, February 6, 1850. Received his first lessons on the organ from his brother, Henry J. South, afterwards studying under George Cooper. When sixteen years of age
he obtained his first organ appointment at Aske's Hospital, Hoxton. In 1868 he was appointed to St. Augustine and St. Faith's, Watling Street, City. Here he remained until
1883, his ability as a choir-trainer being shown in the high reputation the choral services acquired. While there the organ was enlarged, in 1881. Upon leaving for Salisbury Cathedral,
where he was appointed in 1883, the parishioners and choir of his church presented him with handsome testimonials. He was for some time conductor of the Sarum Choral
Society. His compositions are not numerous, and are confined to church music, services, and introits, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
John Speechly |
1811 - 7th Aug 1869 |
John Speechly was born at Peterborough, 1811.
Died August 7, 1869. He is buried in the
South Choir Aisle of Peterborough Cathedral, where there is a tablet to his memory.
Organist of
St. John's Church, Peterborough
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|
Biographical Dictionary of the Organ
Speechley, John, organist, was born at
Peterborough in 1811. He was organist of the Cathedral there, and at the church of St. John, for 33 years, and died in August, 1869.
He was considered a skilful player, and a successful teacher.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Reginald Spofforth |
1769 - 8th Sep 1827 |
Reginald Spofforth, the glee writer, is said to have been Organist of Lincoln Cathedral, and
to have resigned in 1789 but this is obviously wrong. He acted for a short time, however, as Deputy-Organist.
Organist of
?
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Wikipedia page
Dictionary of National Biography
Hymnary Web site
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Samuel Spofforth |
1780 - 6th Jun 1864 |
Samuel Spofforth was the younger brother of Reginald Spofforth, the Glee writer.
Born 1780.
Pupil of his uncle, Thomas Spofforth, of Southwell. Chorister in Southwell
Minster.
Died 1864. Buried in the Cathedral Close, Lichfield.
His Double Chant in G was once a favourite.
Organist of
, 1799
, 1807 - 1864
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Biographical Dictionary of the Organ
DEATHSJune 6th, Mr. Samuel Spofforth, aged 84 upwards cf thirty seven years organist of the Cathedrsl Lichfield
Sheffield Independent
Friday 17 June 1864
(www.britishnewspaperarchive.co.uk)
Samuel Spofforth, born in 1780,
studied under his uncle, and in 1798 became organist of Peterborough Cathedral, and in 1807 organist of Lichfield Cathedral. He died
at Lichfield, June 6, 1864. Composer of chants and other church music.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Thomas Spofforth |
1742 - 16th May 1826 |
Thomas Spofforth was born 1742. Uncle and Musical Instructor of Reginald Spofforth and of Samuel
Spofforth.
Retired on a pension, 1818.
Died May 16, 1826. Buried in the South Transept of Southwell Cathedral, to which he was a considerable benefactor.
A Double Chant in F by him was inserted in Cleland's Bath Collection in 1823.
Organist of
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Wikipedia page
Biographical Dictionary of the Organ
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Sir John Stainer |
6th Jun 1840 - 31st May 1901 |
Sir John Stainer was born in London, June 6, 1840.
Chorister in St. Paul's. Pupil of W. Bayley, Dr. Steggall, and George Cooper.
Organist to the (Royal) Albert Hall Choral Society, 1873-1888.
Musical Juror at the Paris Exhibition, 1878. Chevalier of the Legion of Honour of France, 1878. Principal Of
National Training School for Music, 1881-82. Appointed H.M. Inspector
of Music in Schools, 1882. Resigned his post at St. Paul's in consequence
of failing eyesight, 1888. Knighted 1888. Honorary Fellow of Magdalen
College. Professor of Music in the University of Oxford, 1889. Resigned
the latter post May, 1899. President of the Musical Association, 1899.
Master of the Musicians' Company, 1900.
Died at Verona, March 31, 1901. Buried in Holywell Cemetery, Oxford.
Composer of an Oratorio, "Gideon," Cantatas, Services, Anthems, and other Church Music, Organ
Music, Songs, Part-songs, Etc. Author of "The Music of the Bible" and of
works on Harmony, Composition, the Organ, Vocalization, Etc. Joint
author, with Dr. W. A. Barrett, of a "Dictionary of Musical Terms."
Editor and arranger. Lecturer on various musical subjects.
Organist of
St. Benet and St. Peter, Paul's Wharf, 1855
, 1857
, 1859
University of Oxford, 1860
, 1872 - 1888
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Sir John Stainer |
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Composers For Organs
Portrait Gallery
Hymnary Web site
Choral Public Domain Library Web site
1859
Mus. Bac. — John Stainer, Christ Church. B.A., 1863 ; M.A.,
1866; Mus. Doc., 1865 ; Knighted, 1888; Professor of
Music, in succession to Sir F. A. G. Ouseley, 1889.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DEATH OF SIR JOHN STAINER. News was received in Oxford on Monday of the death of Sir John Stainer at Verona.
He was taking a tour on the Continent, and his death, it is believed, was sudden.
Sir John Stainer will be best remembered, perhaps, as awriter of church music. He was an enthusiastic disciple of Dykes, and believed, as Dykes did, in the great educating influence of fine words accompanied by fine music. He held that the words of a hymn well set mean far more to the singer or hearer, and influence him far more than the same words, however beautiful, set to indifferent music. He did not claim to be, nor was he, as great a composer of hymn-music as was Dykes, but his methods were the same, and occasionally he achieved almost equally beautiful results. The difference between master and disciple in this Connection is well illustrated by their settings of the funeral hymn, "Now the labourer's task is o'er." Stainer's setting, though fine in many respects, does not approach the beauty and solemnity of his master's music.
His anthems and services are too numerous to mention: they are well known to every churchgoer. Of his longer works, perhaps his oratorio, "The Crucifixion," is best known—an exquisitely beautiful piece of music which has become very familiar to Londoners by reason of its annual performance in Marylebone Parish Church and elsewhere during the season of Lent. His cantatas, "The Daughter of Jairus," which was performed at the Worcester Festival in 1878, and "St. Mary Magdalen," which was performed at Gloucester in 1883, are not so well known. Of all his music, however, the shortest piece he wrote is undoubtedly that which is sung most often, perhaps no piece of music is likely be sung more often. is the "Sevenfold Amen" a few bars of music in which for beauty and simplicity the cadences are unsurpassed in church music. Sir John was born in 1840. and was the son of a schoolmaster in Southwark; he was a chorister at St. Paul's between 1847 and 1856.
At the age of sixteen he became organist to St. Michael's College, Tenbury. then recently founded the late Sir F. G. Ouseley; and at the early age of nineteen he was made organist of Magdalen College, Oxford. He seized the opportunity of graduating in arts well as in music, proceeding to Mus. Bac. in 1859, B.A. in 1363, Mus. Doc. 1855, M.A. 1855. In 1850 Dr. Stainer had been appointed organist of the University Church by the then Vice-Chancellor, Dr. Jeune, some time Bishop of Peterborough, and he held this appointment, together with the of Magdalen, until 1372, when was appointed to succeed Sir John Goss as organist of St. Paul's Cathedral, which post he resigned early in 1888. In 1373 was nominated by his Royal Highness the Prince of Wales as one of the jurors of the Exhibition in Paris, and when was closed he was made a Chevalier of the Legion of Honour.
In 1828 Dr. Stainer was appointed Inspector of Music on the Education Department, in the place of the late Dr. Huilah, and also had the honour of being nominated member of the Council of the Royal College of Music by the Prince of Wales. 1885 Dr. Stainer received the degree of Doc., and in 1885 that of D.C.L., honoris causa, from the University of Durham. In 1833 he received the honour of knighthood, and in was appointed Professor of Music to the University of Oxford, as successor to Sir F. G. Ouseley, deceased.
He was an honorary member of the Royal Academy of Music, one of the vice-presidents of the Royal College of Organists, and president of the Musical Association.
In 1893 he received the distinction of being elected an Honorary Fellow of Magdalen College, Oxon. In July, 1899, he was entertained at dinner by the Dean and Chapter of St. Paul's, to commemorate the completion of the fiftieth year of his association with the cathedral. Sir John was well known to music lovers in Birmingham. So recently as Februaiy he was chosen by the Birmingham Clef Club to become their president in succession to the late Sir Arthur Sullivan, and the members looked forward to a visit from him on the occasion of the forthcoming annual meeting. The only visit in connection with the performance of his works was made to the Midland Institute about fifteen years ago, when he lectured upon "Christinas' Carols," and the Madrigal Society, of which Mr. Stockley was conductor, sang several of his compositions. Other visits were to Saltley College in the discharge of his duties as musical examiner. Several churches have included his "Crucifixion" in their choral programme for Good Friday.
Lichfield Mercury
Friday 05 April 1901
(www.britishnewspaperarchive.co.uk)
Stainer, Sir John, Kt., composer
organist, and writer, born in London, June 6, 1840.
Chorister, St. Paul's Cathedral, 1847-56, during the later years often acting as organist. Studied under W. Bayley, Dr.
Steggall, and George Cooper. Organist of St. Benedict and St. Peter, Paul's Wharf, 1854 ; and in 1850 was appointed, by Sir F. Ouseley, organist of St. Michael's College, Tenbury.
In 1859 he matriculated at Christ Church, Oxford, and was appointed organist of Magdalen College the same year, and organist to the University of Oxford, 1860. Graduated Mus. Bac, 1859; B.A., 1863; Mus. Doc,
1865 ; and M.A., 1866, Oxford.
Conductor of College Musical Societies. In 1872 he was appointed organist of St. Paul's Cathedral, in succession to (Sir) John Goss, resigning in
1888 owing to failing sight.
In 1876 he was appointed professor of the organ at the National Training School for Music, and in 1881 succeeded (Sir) Arthur Sullivan as
Principal. Organist to the Royal Choral Society, 1873-88 ; Juror at the Paris Exhibition, 1878; Government Inspector of Music in Training Schools, in succession to Mr. Hullah, 1882; and has held other important
positions, his last appointment being to the Professorship of Music at Oxford University, 1889.
He is an Honorary Member of R.A.M. ; President of the Musical Association ; Member
of Council, R.C.M. ; Honorary Fellow of Magdalen College, Oxford ; and member of the Philharmonic Society.
In 1878 he was created Chevalier of the Legion of Honour of France; received the hon. degree of Mus.
Doc, Durham, 1885; Hon. D.C.L., Durham, 1895; and in 1888 was Knighted by Her Majesty the Queen.
Works. Oratorio, Gideon ; Cantatas, The Daughter of Jairus, Worcester Festival, 1878 ; St. Mary Magdalene, Gloucester, 1883; The Crucifixion, London, 1887. Church Services in E fiat, A, D, and B flat; Canticles, various.
Awake, put on thy strength ; Deliver me,Lord ; And all the people saw the thunderings, London Church Choir Association, St. Paul's Cathedral. November 8, 1883; Ye shall dwell
in the land; and many other anthems.
Madrigal, The Triumph of Victoria, 1887; Album of Seven Songs, with English and German words; Loyal Death ; My little Pet; Shimber Song (with violoncello ad lib.); and
other songs. Arrangements for the organ, 5 Nos. Editor of St. Paul's Cathedral Cliant Book ; The Cathedral Psalter ; Choir-hook of the Holy Communion ; Marbecke's Office of
the Burial of the Dead. Joint editor (with Dr. Martin) of the Ferial Responses; with W. A. Barrett, of A Dictionary of Musical Terms, Novello, 1876; with Rev. H. R. Bramley, of Carols, Old and New; with Rev.
W. Russell, The Cathedral Prayer Book, Novello, 1891; and with Dr. Hubert Parry, of Novello's Music Primers. Author of Primers on The Organ ; Harmony ; Composition
; Choral Society Vocalisation ; A Treatise on Harmony (which has gone through several editions), Novello ; The Music of the Bible, 1879. A Few Words to Candidates for the
Degree of Mus. Bac., Oxon., Novello, 1897. Lectures and addresses. Musical Association; Conferences of I.S.M., etc. His son, C. :Stainer, is author of a work on Violin Makers, Novello, 1896.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Charles Villiers Stanford |
30th Sep 1852 - 29th Mar 1924 |
Charles Villiers Stanford was born in Dublin, September 30, 1852.
Pupil of Arthur O'Leary and Sir Robert Stewart, and afterwards of Reinecke and F. Kiel.
Matriculated at Cambridge University, and, in 1873, succeeded Dr. J. L. Hopkins as
Organist of Trinity College, Cambridge. For some years Conductor of the Cambridge Amateur Vocal Guild and Cambridge University Musical Society.
Professor of Composition and Conductor of the Orchestra at the Royal College of Music since its opening in 1883. Conductor of the Bach
Choir, 1885. University Professor of Music at Cambridge, 1887. Resigned the post of Organist of Trinity College, Cambridge, 1892, and removed to London.
Elected Corresponding Member of the Société des Compositeurs de Musique, Paris, 1892. Conductor of Leeds Philharmonic Society, 1897. Knighted, 1901. Composer of Oratorios, Operas, Cantatas, Odes, Incidental
Music to Plays, Church Music, Orchestral Music, Chamber Music, Organ pieces, Songs, Pianoforte pieces, Etc. Editor of Irish Melodies. Writer and Lecturer on Music, Etc.
Organist of
1873 - 1892
|
Charles Villiers Stanford |
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Composers For Organs
Portrait Gallery
Hymnary Web site
1893
Mus. Doc., by Grace of the Senate.— CharIes Villiers Stanford.
Trinity Coll. B.A., 1874 ; M.A., 1877 ; Mus. Doc. , Oxon.,
1883 ; Professor of Music, 1887.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
SIR CHAS. STANFORD, DEATH OF EMINENT COMPOSER
By the death of Sir Charles Villiers Stanford, in London, on Saturday, the musical world has suffered its third great loss within a fortnight, Sir Frederick Bridge and Sir Walter Parratt having both also passed away during that period.
In these the Royal College Music has lost three of the very small remaining band of professors who have been on its staff sinfce its foundation in 1883. Sir Charles Stanford, who was in his 72nd year, had been connected with music during the whole of his life. At the age of eight he composed a march. At 18, he went to Cambridge as choral scholar at Queens', and at 21 became organist of Trinity. A year later became conducfor of the University Musical Society, which, in his hands achieved great importance, giving the first, English performance of several important works of contemporary foreign composers, such as Brahms, of whom Stanford was a great admirer. The public first heard of Sir Charles as a composer in 1876, when he composed the music for the Lyceum production of Tennyson's "Queen Mary" A close friendship followed until Ternyson's death, and Stanford also wrote the settings "The Revenge" and the Wellington "Ode." Sir Charles was the composer of numerous orchestral pieces and a very large selectionof chamber music, and, in addition a large amount incidental music for plays, he wrote nine operas. His choral pieces have been produced atmost of the big festivals, and he was noted as a choral conductor, in which he acted for some time at the Leeds Festival. He will also be remembered for his songs, notably his "Songs the Sea." As Professor of Music at Cambridge and senior teacher of composition at the Royal College of Music, he had as pupils many composers whose names are now prominentin this country. He was the author ofseveral books dealing with various aspects of the musician's art.
Western Morning News
Monday 31 March 1924
WILLSir Charles Villiers Stanford, for many years Professor of Music at the University Cambridge and at the Royal College Music, London, left £5328.
Aberdeen Press and Journal
Monday 28 April 1924
(www.britishnewspaperarchive.co.uk)
Stanford, Charles Villiers, composer
and conductor, born at Dublin, September 30, 1852. Son of the late John Stanford, Esq., Examiner in the Court of Chancery, Dublin, and an accomplished amateur. He was
educated in music under Arthur O'Leary and Sir R. P. Stewart ; and afterwards studied, 1874-76, at Leipzig, with Reinecke, and at Berlin with F. Kiel. ^Matriculated at
'Cambridge as a choral scholar, graduating with Classical Honours, B.A., 1874; M.A., 1877.
In 1873 he succeeded Dr. J. L. Hopkins as organist of Trinity College, Cambridge, an appointment he held until 1892. He was
conductor of the Cambridge Amateur Vocal Guild, and directed the first performance in England of Sir R. P. Stewart's cantata "The
Eve of St. John," November 19, 1872. The Cambridge University Musical Society, of which he was conductor for twenty years from
1873, attained a high position, many important compositions being heard at its concerts for the first time in England, such as Schumann's
"Paradise and the Peri," the First Symphony of Brahms, etc. It was at a concert of this society that Mr. Stanford first
appeared as a pianist, November 30, 1870. A few compositions date from the Cambridge period to 1875, but he came into greater prominence
by winning the second prize at the symphony competition at the Alexandra Palace, 1876. From that time to the present he has been actively engaged in composition.
At the opening of the R.C.M., in 1883, he was appointed professor of composition and orchestral playing, and has given distinction
to the College concerts and operatic performances by his enterprise in bringing forward new or neglected works. In 1885 he became
conductor of the Bach Choir; and in 1887 was appointed Professor of Music at Cambridge University. He is a member of the Philharmonic
Society ; in 1883 received the Hon. degree of Mus. Doc, Oxford ; in 1888, by Grace of the Senate, the same degree was conferred upon him at Cambridge ; and in
1892 was elected Corresponding Member of the Societe des Compositeurs de Musique, Paris.
He has conducted concerts at the Crystal Palace (188-3), Philharmonic Society (1884, etc.) ; at Berlin, Dresden, etc. ; performances
of his works at the chief provincial festivals, and of his operas at Hanover and Hamburg. In June, 1897, he was appointed Conductor of
the Leeds Philharmonic Society. Works.—Oratorios and Cantatas : The Resurrection (Klopstock), op. 5, for tenor solo, chorus and orchestra, Cambridge, May, 1875 ;
Psalm 46, op. 8, Cambridge, 1877; Elegiac Ode (Walt Whitman), op. 21, Norwich Festival, 1884 ; The Three Holy Children, oratorio, Birmingham Festival, 1885 ; The Revenge,
choral ballad (Tennyson), op. 24, Leeds, 1886; Carmen Steculare, Jubilee Ode, op. 26 (Tennyson), performed at a State Concert, 1887 ; The Voyage of Maeldune (Tennyson),
Leeds Festival, 1889; The Battle of the Baltic (Campbell), Hereford, 1891 ; Eden, dramatic oratorio (Robert Bridges), Birmingham, 1891 ; Installation Ode, Cambridge,
May week, 1892 ; Ode, East to West (Swinburne), London, 1893 ; The Bard, cantata, Cardiff Festival, 1895; Phaudrig Croboore, choral ballad, Norwich, 1896. Operas : The
Veiled Prophet of Khorassan, composed, 1877, produced at Hanover, February 6, 1881 (libretto by W. Barclay Squire) ; Savonarola, produced, Hamburg, April 18, 1884 ; The
Canterbury Pilgrims, produced, Covent Garden Carl Rosa), April 28, 1884 (libretto by G. A. A'Beckett) ; and Shamus O'Brien, Opera Comique, London, March 2, 189G (text by G.
H. Jessop from Le Fanu). Incidental music to Tennyson's Queen Mary, Lyceum, April 18, 1876 ; Tennyson's Becket, Lyceum, February 6, 1893 ; Jiischylus' Eumenides, Cambridge,
1885 ; Sophocles' Œdipus, Cambridge, 1887. Mass in G, op. 46 (in memoriam, Thomas Wingham), Brompton Oratory, May 26, 1893; Psalm 150, Manchester, 1887 ; Awake, my
heart (Ivlopstock), choral hymn, op. 16, St. Paul's Cathedral, November 3, 1881 ; Morning, Evening, and Communion Services in B flat, F, and A ; Anthems, etc. Elizabethan Pastorals,
4 voices ; Three Cavalier songs, op. 18 ; Day is dying; To the rose; Eight songs (George Eliot), op. 1 ; two sets of 6 songs (Heine), op. 4, 7 ; and other songs. Editor of
fifty Irish melodies, 1883 ; Song book for schools, 1884 ; Irish songs and ballads, Novello, 1893 (?) ; The Irish melodies of Thomas Moore, Boosey, 1896. Orchestral : Symphony No. 1,
in B flat (prize), 1876 ; No. 2, in D minor (Elegiac), Cambridge, March 7, 1882 ; No. 3, in F minor (Irish), Richter, June 27, 1887 ; No. 4, in F (Thro' youth to strife ; thro' death
to life), Berlin Philharmonic Society, January 14, 1889 ; No. 5, in D (L'Allegro ed il Pensieroso), op. 56, Philharmonic Society, London, March 20, 1895. Serenade, op. 17, Birmingham
Festival, 1882. Overtures, Festival, in B flat, Gloucester Festival, 1877 ; Queen of the Seas (Armada Tercentenary), 1888. Concerto, cello and orchestra (MS.) ; Concerto in G, op.
59, pf. and orchestra, Richter, May 27, 1895 ; Suite in D, violin and orchestra, Berlin, January 14, 1889. Chamber Music : Sonata in A, op. 9, pf. and 'cello ; in D, op. 11, pf. and
violin ; Three intermezzi, pf. and clarinet, op. 13 ; Quartet in F, op. 15, jpf. and strings ; Quartet in D minor, op. 25 (Dannreither), 1886 ; Trio in E flat, op. 35 ; Sonata in D
minor, op. 39, pf. and 'cello. Popular Concerts, November 18, 1889; String Quartets in G, op. 44 ; A minor, op. 54 ; D minor, op. 64. Four Irish pieces, violin and pf. Sonata in D flat,
op. 20 ; Three pieces, op. 42 ; Toccata in C, etc., for pf. Prelude and Fugue, organ. Professor Stanford's latest work is a Requiem Mass, accepted for performance at the
Birmingham Festival of 1897.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Charles John Stanley |
17th Jan 1712 - 19th May 1786 |
Charles John Stanley was a famous blind Organist.
Born in London, January 17, 1713.
Became blind from an accident when about two years old. Pupil of John Reading and Dr. Greene. Succeeded Dr. Boyce as Master of the Royal Band
of Music, 1779.
Died in London, May 19, 1786.
Composer of three Oratorios, Church Music, Cantatas, Songs, Concertos, Etc., for Strings,
Organ Voluntaries, Concertos for Harpsichord or Organ, Etc.
Organist of
All Hallows', Bread Street, 1724
St. Andrew's, Holborn. 1726;
1734 - 1786
|
Charles John Stanley |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Composers For Organs
Portrait Gallery
Hymnary Web site
1729
Mus. Bac.—John Stanley. Born in 1713, he became blind at two years of age from an accident. He was a pupil of John
Reading and Maurice Greene, and in 1724 was appointed Organist of All Hallows', Bread Street, and, two years later,
of St. Andrew's, Holborn. In 1739 he was appointed Organist of the Temple Church. He composed and produced the following Oratorios: "Jephthah," in 1757 ; "Zimri,"
1760 ; and the "Fall of Egypt," 1774. He assisted in carrying on the Oratorio performances formerly conducted by
Handel. In 1779 he succeeded Boyce as Master of the King's Band. He died in 1786. His compositions, besides
those already mentioned, consist of six cantatas, for voice and instrument, three cantatas and three songs, three sets of
organ voluntaries, and "Arcadia," a dramatic pastoral in
honour of the marriage of George Ill.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Stanley, Charles John, organist and
composer, born at London, January 17, 1713. He was accidentally made blind when about two years of age. Studied nmsic under J. Reading and M. Greene, and became organist
of All Hallows' Church, Bread Street, 1724 ; St. Andrew's, Holborn, 1726 ; and of the Temple Church, 1739. He graduated Mus. Bac, Oxford, 1729. In 1779 he was made
master of the Royal band of music, in succession to Boyce. He died at London, May 19, 1786.
Works.—Oratorios: Jephthah,1757; Zimri, 1760 ; Fall of Egypt, 1774 ; Arcadia, or the shepherd's wedding, 1761 (dramatic pastoral to celebrate marriage of George III.) Six
cantatas for a voice and instruments, London [1742] ; Second set [1750] . Songs : Dull unanimated wretch ; Heigh, ho ! ; I feel new passions rise ; Leave me shepherd ; Power of
musick and beauty ; The red breast, instrumental: Op. 1, eight solos for a German flute, violin, or harpsichord [1745], etc.; Op. 2, six concertos in seven parts for four violins,
a tenor violin, and violoncello, with a thoroughbass for the harpsichord ; Op. 4, six solos for a German flute, violin, or harpsichord [1770] ;
0pp. 5, 6, 7, ten voluntaries for the organ or pf. ; Six concertos set for the harpsichord ororgan
[1760].
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Heathcote Dicken Statham |
7th Dec 1889 - 29th Oct 1973 |
Heathcote Dicken Statham was a Chorister in St. Michael's College, Tenbury, 1900.
Mus. Scholar, Gonville and Caius College, Cambridge, 1908. Scholar of Royal College
of Music, 1912.
Organist of
Calcutta Cathedral, 1913
1920 -
|
Heathcote Dicken Statham |
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Discogs page
|
James Brealsford Stephens |
? - 3rd Mar 1860 |
James Brealsford Stephens was master of the boys at Cork Cathedral
Died March 3, 1860.
Organist of
1811 - 1860
|
|
Biographical Dictionary of the Organ
|
John Stephens |
1720? - 15th Dec 1780 |
John Stephens was a Chorister in Gloucester Cathedral.
He conducted the Gloucester Festival of 1766.
Died at Salisbury, December 15, 1780.
Buried in the Salisbury Cathedral, North Aisle of Nave.
A volume of his Church Music was issued in 1805, edited by Highmore Skeats, Senr.
He composed one of the four melodies still to be heard on the Gloucester Cathedral chimes.
Organist of
1746 - 1780?
|
|
Biographical Dictionary of the Organ
1763.
Mus. Doc.—John Stephens.
Was a chorister in Gloucester
Cathedral, and succeeded Edward Thomson, as Organist Of
Salisbury, in 1746. He conducted the Gloucester Festival in
1766. He died in 1780. A volume of his Cathedral Music
was published in 1805, edited by Highmore Skeats.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Stephens, John, organist and composer,
was born probably at Gloucester about 1720.
He was a chorister in Gloucester Cathedral, and in 1746 he succeeded Edward Thomson
as organist there. In 1763 he graduated Mus. Doc, Cambridge, and in 1766 he conducted the Gloucester Festival. He died at Salisbury,
December 15, 1780. A volume of his compositions for the church was issued at London in 1805, as Cathedral music, corrected
and published by Highmore Skeats. One of his pieces called the Chimes of Gloucester Cathedral, was edited by C. L. Williams.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Edwin Stephenson |
1871–1922 |
Edwin Stephenson was born at Windermere, 1871.
A pupil of Dr. E. Brown of Barrow-in-Furness,
and afterwards of Sir Walter Parratt, Dr. C. H. Lloyd, and others at
the Royal College of Music.
Organist of
Priory Church, Cartmel, 1888
Sunningdale Parish Church, 1891
St. Michael's, Brighton, 1901
Brighton Parish Church, 1905
1906 -1914
St. Margaret's, Westminster, 1914 - 1922
|
|
Wikipedia page
Biographical Dictionary of the Organ
ObituaryMr. Edwin Stephenson, organist St. Margaret's, Westminster,
whose death has taken place at Ulverston, was for some time organist the Parish Church Brighton. He was appointed Canon Carnegie to the Cathedral Church at Birmingham, in 1914 he succeeded Mr Goss-Custard as organist of St. Margaret's, and has played many notable services during and since the war. His organ recitals were much
appreciated by the public.
Yorkshire Post and Leeds Intelligencer - Tuesday 26 September 1922
(www.britishnewspaperarchive.co.uk)
|
Richard John Samuel Stevens |
27th Mar 1757 - 23rd Sep 1837 |
Richard John Samuel Stevens was Born in London, March 27, 1757.
Chorister in St. Paul's Cathedral.
Gresham Professor of Music, 1801.
Resigned the Organistship of the Temple Church, March 25, 1810.
Died at Peckham, September 23, 1837.
Composer of Glees, Songs, Etc. Compiler of a selection of Sacred Music.
Organist of
1786 - 1810
Charterhouse, 1796
|
|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Choral Public Domain Library Web site
Stevens, Richard John Samuel, composer
and organist, born at London, 1757. He was trained as a chorister in St. Paul's Cathedral under Savage, and became organist
of the Temple Church in 1786; and of the Charter House, 1796. Gained prizes from Catch Club, 1782 and 1786. Professor of Music, Gresham College, 1801. He died at
Peckham, London, September 23, 1837.
Works.—Eight Glees for 4 and 5 voices, op. 3, London [1790] ; Eight Glees, op. 4, London [1792] ; Ten Glees for 3, 4, 5 and 6
voices, op. 5, London [1800] ; Seven Glees, op. 6, London [1808] . Eight Glees, expressly composed for Ladies. Sacred Music for 1, 2, 3 and 4 voices, consisting of Selections from
the works of the most esteemed composers, Italian and English, London, n.d., 3 vols. Ten Songs, with an accompaniment for two violins, London, n.d.
One of the most popular of English glee composers. Some of his works are in constant use at the present time. Among his best known glees are "From Oberon in Fairy
Land," "Sigh no more, Ladies," " Ye spotted snakes," "The cloud-capt towers,"
"Crabbed age and Youth," etc. Many of his glees still remain in manuscript.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Robert Stevenson |
|
Robert Stevenson supplicated for a degree at Oxford in 1583, stating that he had been thirty-
three years a student. Was granted the degree of Mus.B. in 1587 and of Mus.D. in 1596.
An Anthem, "When the Lord turned again," in the Library of Peterhouse, Cambridge, may have been his Degree
exercise. In the Treasurer's Accounts are several entries of payments to
him for copying music into the singing books.
Organist of
1570 1599
|
|
Biographical Dictionary of the Organ
1587.
Mus. Bac.—.Robert Stephenson, or Stevenson,
who was thirty-three years a student, and had supplicated in 1583.
He took the degree of Mus. Doc., 1596.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
|
Charles Hylton Stewart |
|
Organist of
Sep 1932 - Nov 1932
|
|
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Hymnary Web site
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DEATH"The Times" announces the death at Windsor at the age of 48, of Mr Charles Hylton Stewart.
M.A . Mus. Bac. (Camb ), organist of St George’s Chapel. Windsor Castle. He was appointed to St George’s from Chester Cathedral on the retirement of Sir Walford Davies, and took up his post only September.
Hartlepool Northern Daily Mail
Tuesday 15 November 1932
(www.britishnewspaperarchive.co.uk)
Organists Of St George's Chapel
|
Haldane Campbell Stewart |
28th Feb 1868 – 14th Jun 1942 |
Haldane Campbell Stewart was a Chorister in Magdalen College under Mr. (now Sir Walter) Parratt, 1879-
1882.
Classical Exhibitioner of Magdalen College, 1887-1891. Director of Music at Lancing College, 1891-1898 ; ditto at Tonbridge School, 1898-
1919.
Composer of Church Music, Etc.
He played in 75 first-class cricket matches as a batsman.
Organist of
1919 -
|
Haldane Campbell Stewart |
Wikipedia page
 Haldane Campbell Stewart
Web site
Biographical Dictionary of the Organ
|
| | | |
Robert Stewart |
16th Dec 1825 - 24th Mar 1894 |
Sir Robert Presscott Stewart was born in Dublin, December 16th 1825.
He was a Chorister in Christ Church Cathedral.
Organist of Christ Church Cathedral and Trinity College Chapel, 1844.
Organist of St. Patrick's Cathedral, 1852. Resigned the post of Organist, St. Patrick's Cathedral, 1861, in order to obtain a Vicar Choralship there, but the latter office was divided, and he only succeeded to one half. He still, however, played the Sunday afternoon services, by arrangement with his successor, Mr. Murphy, who on these occasions sang for Sir Robert in the choir.
Half Vicar Choral of St. Patrick's Cathedral, 1861. Professor of Music in Dublin University, 1862
Knighted 1872.
Died in Dublin, Easter Eve, March 24, 1894.
Composer of Odes, Cantatas, Church Music, Organ pieces, Songs, Glees, Etc.
Editor of and lecturer on music.
Inscription on the Brass placed to his memory in Christ Church Cathedral, Christmas, 1896 :—
To the Glory of God, and in Memory of
ROBERT PRESCOTT STEWART, Knt
Doctor of Music.
Trained as a Chorister in the Cathedral School, he was appointed Organist at the age of eighteen,
and continued in that post during fifty years.
His name stands foremost among the many who for seven centuries devoted their musical talents to the Service of God
within this Ancient Sanctuary.
Upright in life and modest in spirit, he gained the warm affection of a large circle of friends, and universal honour and respect.
A brilliant Organist and Composer, he impressed his genius on the Use and Mode of Services in this Cathedral Church, and
enriched its Library with many noble compositions.
Born 1825.
He entered into his Rest on Easter Eve, 1894.
[Here are engraved the opening bars of the Te Deum from Stewart's Service
for Double Choir, in E flat.]
A statue, erected to his memory on Leinster Lawn, Dublin, was unveiled by the Lord Lieutenant of Ireland (Earl Cadogan) on March 8, 1898.
Organist of
1852 - 1861
1844 - 1894
|
Robert Stewart |
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Stewart, Sir Robert Prescott, Kt.,
organist, composer, and writer, born at Dublin, December 16, 1825. Son of Charles F. Stewart, librarian of the King's Inns, Dublin. Received his musical education in the school
of Christ Church Cathedral, Dublin, and was appointed cathedral organist in 1844, as well as at St. Patrick's, and Trinity College. In 1846 he became conductor of the University
Choral Society ; graduated Mus. Bac, and Mus. Doc, Dublin, 1851 ; and in 1861 was appointed professor of music in Dublin University. There was no fund from which to
pay an organist at St. Patrick's Cathedral, so in 1852 he was made a vicar-choral, with the understanding that he would continue to play the organ as he had previously done. In 1872
he was invited to represent Ireland at the Peace Festival held at Boston, U.S.A. ; he did not go, but sent an Ode, in which Irish and American airs were worked up. About that
time he began his connection with the Royal Irish Academy of Music, as professor of harmony, organ, etc. In 1873 he was appointed conductor of the Dublin Philharmonic. He
was a remarkably fine organ player, and gave perforniances in many parts of England, his extemporisations being masterly. He travelled a good deal, and had great literary
powers, as shown in his numerous lectures ; and he was an authority on bagpipes of all kinds. In 1872 he was knighted by Earl Spencer, and received many public tokens of
admiration at the same time. He died at Dublin, March 25, 1894.
Works.—Ode to Industry, Cork Exhibition, 1852; A Winter night's wake (1858), and The eve of St. John, cantatas ; Ode to Shakespeare,
Birmingham Festival, 1S70 ;"Committee"cantata. University Choral Society, 1 889 ; Ode for Tercentenary Festival of Trinity
College, Dublin, July 5, 1892. Ten other cantatas and odes in MS. Church service in E fiat, for double choir; Services, various ; Motets
and anthems, twelve published, others in MS. Musical editor of Church Hymnal. Glee, O Nightingale Milton), Hibernian Catch Club Prize, 1848 ; five other prize glees. The bells
of St. Michael's tower ; Fairest flower ; The dream ; Haymakers' song ; and other partsongs. Song, The Reefer, Orchestra prize,
1865 ; many songs, published and in MS. Suite in G, violins, Dublin, 1891. Orchestral music, MS. Concert fantasia in D minor, and other pieces for organ. Lectures : Ancient
Irish music ; Irish composers ; Bagpipes ; Eastern music ; Musical epochs, etc. Essay's in Cassell's Biographical Dictionary ; and articles in Grove's Dictionary.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
James Stimpson |
1st Jan 1820 - 3rd Oct 1886 |
James Stimpson was born at Lincoln, 1820.
Chorister in Durham Cathedral. Articled pupil of Ingham, at Carlisle.
Organist and Chorus-master of Birmingham Festival.
Trained the chorus for the production of Mendelssohn's "Elijah," in 1846.
For many years Professor of Music at the Birmingham Blind Institution.
Died at Birmingham, 1886.
Composer of Songs, Pianoforte pieces, Etc.
Author of a "Manual of the Theory of Music."
Editor of Church and Organ Music, Etc.
Organist of
St. Andrew's, Newcastle on-Tyne, 1836
1841 - 1842
Birmingham Town Hall
|
|
Wikipedia page
Biographical Dictionary of the Organ
Obituary. Mr. James Stimpson, the organist of the Town Hall, Birmingham, died at Edgbaston on Monday. He was a son of a lay-vicar of Lincoln Cathedral, and was born in 1820.
Worcester Journal
Saturday 09 October 1886
(www.britishnewspaperarchive.co.uk)
DeathThe death of Mr. James Stimpson, who for forty-four years has been organist at the Birmingham Festival, will carry the memory of musical veterans back to the old days. Mr. Stimpson, then a young man of six-and-twenty, played the organ at the first performance of "Elijah," under Mendelssohn's conductorship, at the Birmingham Festival of 1846.
Truth
Thursday 21 October 1886
(www.britishnewspaperarchive.co.uk)
Stimpson, James, organist and composer,
born at Lincoln, February 29, 1820.
His father was a lay-vicar of Lincoln Cathedral, but removed to Durham in 1822. He was a chorister in Durham Cathedral in 1827, and
in 1834, he was articled to Mr. Ingham, the organist of Carlisle Cathedral. In 1836, he became organist of St. Andrew's, Newcastle ;
and in 1841, he succeeded as organist of Carlisle Cathedral. He was appointed organist of the Town Hall, Birmingham in 1842, and in the same year took a similar appointment
at St. Paul's Church ; organist of St. IMartin's Church, 1852 ; Francis Road Chapel, Edgbaston, from 1869. He founded the Birmingham Festival Choral Society in 1843,
and was its conductor till 1855. Professor of Music at the Birmingham Institution for the Blind. He gave many important organ recitals in Birmingham, and superintended
the introduction of Mendelssohn's "Elijah."
He died at Birmingham, October 4, 1886.
Editor of "Services of the Church: being those portions of the Book of Common Prayer, which are appointed to be chanted, arranged
for the use of congregations and choirs," Newcastle, Richardson, 1840; "The Organist's Standard Library," etc. ; and composed songs
and pf. music. Author of a "Manual of the theory of Music."
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Harold Carpenter Lamb Stocks |
1884 - 1956 |
Harold Carpenter Lamb Stocks was born at Essendon, Herts, 1884.
Pupil of Dr. A. W. Wilson and others.
Assistant-Organist of Ely Cathedral, 1906.
Invalided from Army after active service in Egypt and Salonika, 1916.
Organist of St. Asaph Cathedral, 1917.
Composer of Church Music, Songs, Etc.
Organist of
Littleport Parish Church, 1902
St. Mary's, Ely, 1906
Yeovil Parish Church, 1909
Ludlow Parish Church, 1911
1917 -
|
|
Biographical Dictionary of the Organ
 STOCKS, HAROLD CARPENTER LAMBEbor House, Ludlow.
Born 1884 at Essenden, Herts.
Trained at Ely Cathedral and private. MUS. BAC. OXON., F.R.C.O.
Organist Littleport Parish Church, 1902-06 ; St.
Mary's, Ely, 1906-09 ; (Assistant), Ely Cathedral, 1906-09 ; Yeovil
Parish Church, 1909-11 ; Ludlow Parish Church since 1911. Publications : Hymn tunes ; song, "Echoes."
Recreations : Walking and cycling.
Dictionary of Organs and Organists
F.W Thornsby
1921 |
William Stonard |
? - 1630 |
William Stonard
Composed a Choral Hymn in eight parts for his degree.
Composer also of Church Music, Etc.
Died 1630.
His name is given as one of the composers in Clifford's Words of Anthems.
Organist of
1608 - 1630
|
|
Biographical Dictionary of the Organ
1608.
Mus. Bac.—William Stonard, Organist of Christ Church.
He was required to compose a choral hymn of eight parts for his
degree. Some of his compositions are in the Tudway
Collection, in Clifford, and in the Music School at Oxford.
The dictionaries of Grove and Brown, following Hawkins,
say that he took the Doctor's degree in 1608. There is
nothing to show that he ever became a Doctor of Music.
He died 1630.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Stonard, William, organist and composer.
He was organist of Christ Church, Oxford, and graduated Mus. Bac, Oxon., in 1608.
He died in 1630.
Composer of anthems in Clifford's Collection, and in MS. in the Music School of Oxford.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Richard Storey |
|
Richard Storey
He was Organist OF Peterborough Cathedral in the time of the Monastery, and continued to hold the
office at the Reformation, at a salary of £10 per annum.
Organist of
1541 - ?
|
|
Biographical Dictionary of the Organ
|
John Stringer |
1617 - 1673 |
John Stringer (Son of the Peter Stringer.)
A Minor Canon. At the request of the Chapter he served also as Treasurer for a short time.
Organist of
1673 - 1686
|
|
Biographical Dictionary of the Organ
|
Peter Stringer |
30th Oct 1617 - 1673 |
Peter Stringer was born at Chester, October 30, 1617.
Successively Chorister and Conduct ; afterwards simultaneously Minor Canon, Precentor, Organist, and
Treasurer.
His name occurs several times in the Accounts in connection
with the building of a new organ.
Died 1673.
The words of some of his Anthems are included in Clifford's Collection.
He appears to have been Organist of Manchester Collegiate Church (now the
Cathedral) for a short time in 1666, although his salary at Chester
continued without a break.
Organist of
1661 - 1673
1666?
|
|
Biographical Dictionary of the Organ
|
William Sudlow |
1772 - 1848 |
William Sudlow
Son of a music dealer in Hanging Ditch, Manchester.
Born 1772. Died 1848
Composer of Anthems, Songs, Etc. He was also a Violoncellist.
Organist of
1804 - 1848
|
|
Biographical Dictionary of the Organ
Sudlow, William, composer, organist,
and violoncellist, born in 1772. He was an organist in Manchester, and died there in 1848, Composer of anthems, songs, and other
vocal music.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Henry Swarbrick (or Schwarbrook) |
- 1754 |
Henry Swarbrick was Supposed to have been a relative of Thomas Schwarbrook, the organ-builder.
Died 1754.
A Morning Service by him in MS. is at Hereford. In a curious old oblong MS. volume of Chants written on parchment, formerly in the
possession of the late J. S. Bumpus, there is a Chant by "Mr. Henry Swarbrick, Organist of Hereford, in E lami."
Organist of
1721 - 1754
|
|
Biographical Dictionary of the Organ
|
Edward Thomas Sweeting |
16th Sep 1863 - 1930 |
Edward Thomas Sweeting was born at Alsager, Cheshire, September 16, 1863.
Scholar of the National Training School for Music.
Music Master of Rossall School, 1882. Music Master of WinChester College, 1901.
Composer of a Choral Ballad for men's voices, "The Burial of Dundee"
a Festal March for Orchestra, Madrigals, Part-songs, Songs, pieces for Violin and Pianoforte, eTc.
Organist of
St. Mary's, West Kensington, 1874
1897 - 1901
1901 -
|
|
Biographical Dictionary of the Organ
Hymnary Web site
1889
Mus. Bac. Edward Thomas Sweeting
New Col.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
MUSICIAN’S FUNERAL.
Formerly Organist at Winchester College.The funeral took place on Saturday at St. Albans of Dr. Edward Thomas Sweeting. who was for 23 Years Organist and Master of the Music at Winchester College, a position from which retired in 1924
Dr. Sweeting, who was born in 1863, was organist at Rossall School from 1882to 1897. and at St. John’s College, Cambridge. from 1897 to 1901.
He did a great work at Winchester and on his retirement he went on tour all round the Empire conducting examinations for the R.C.M.
He was the author of numerous songs, pianoforte and violin pieces and Church music.
Dr. Sweeting married on August 15, 1900. Miss Keith Craven, daughter of Mr. James Glen, who. with son and a daughter, survives him.
Portsmouth Evening News
Monday 14 July 1930
(www.britishnewspaperarchive.co.uk)
|
|
Thomas Tallis (or Tallys) |
c.1520 - 23rd Nov 1585 |
Thomas Tallis is Often called the Father of English Church Music. Born about 1520. He was
supposed to have been a Chorister in the Chapel Royal.
Organist of Waltham Abbey for some years, until its dissolution, 1540.
Gentleman of the Chapel Royal.
Held letters patent, jointly with Bird, for the exclusive right to print music.
Died, November 23, 1585. Buried in Greenwich Parish Church.
Composer of a large number of works for the Church, some with Latin and others with English words. Known at
the present day chiefly by his harmonies to the old Plain-song Responses, called "Tallis's Responses."
If You Love Me Recorded by The King's Singers.
Fantasia Vaughan Williams Music Video
The Best of Tallis 11 songs (1Hr 17Min) Conductor: Jeremy Summerly
It is said that Tallis was in attendance upon Queen Elizabeth at Greenwich
Palace at the time when he died. There was an epitaph to him engraved
upon a brass plate in the chancel of the old church of Greenwich, where he
was buried. The church was pulled down during the last century, when
all trace of the
brass plate The epitaph occurs, however, in Strype's continuation of Stow's "Survey Of
London," and is as follows:-
Enterred here doth ly a worthy wyght,
Who for long tyme in musick bore the bell ;
His name to shew was Thomas Tallis hyght,
In honest vertuous lyff he dyd excell.
He served long tyme in Chappel with grete prayse,
Fower sovereygnes reignes (a thing not often seene),
I mean King Henry and Prince Edward's dayes,
Quene Marie, and Elizabeth our Quene.
He maryed was, though children he had none,
And lyv'd in love full three and thirty yeres
With loyal spowse, whos name yclept was Jone,
Who here entom'b, him company now bears.
As he dyd lyve, so also dyd he dy,
In myld and quyet sort, O happy man,
To God ful oft for mercy did he cry,
Wherefore he lyves, let Deth do what he can.
Organist of
Waltham Abbey
1545 - 1585
|
|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
Tallis or Tallys, Thomas, composer and
organist, born about 1520-1529. He is supposed to have been a chorister in the Chapel Royal. Organist of Waltham Abbey till 1540.
Gentleman of the Chapel Royal during reigns of Henry VIII., Edward VI., Mary, and Elizabeth. Joint organist with Byrd, of the
Chapel Royal, and joint patentee with him in the exclusive right to print music.
He died on November 23, 1585, and was buried in Parish Church of Greenwich.
Works. — Cantiones quae ab argumento Sacrre vocantur, quinque et sex partium, London, 1575. The Preces, Chants, Te Deura,
Benedictus, Responses, Litany, Kyrie, Creed, Sanctus, Gloria, Magniflcat, and Nunc Dimittis (Church of England Service), first printed
in Barnard's Collection, 1641, and since reprinted many times by Novello, Rimbault, Jebb, etc. Song of Forty Parts, for eight
choirs of five voices each, "Spem in alium non habui." The Order of the Daily Service of the United Church of England and Ireland,
edited by John Bishop, London, 1843. Anthems : All people that on earth do dwell ; Come, Holy Ghost ; Hear the voice and prayer ;
I call and cry ; If ye love Me ; Hear my prayer ; Blessed are those ; Salvator Mundi (motet) ; and many others in IMS. contained in the
British Museum, Music School of Oxford, Fitzwilliam Museum, Cambridge, and elsewhere.
In 1876 a brass memorial tablet was placed in Greenwich Parish Church, which was provided by subscriptions gathered on the suggestion
of Henry Walter Miller (q.v.).
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
James Targett |
Oct 1778 - 15th May 1803 |
James Targett was born near Kidderminster, October, 1778.
Chorister in Chichester Cathedral, and afterwards Organist there.
Died May 15, 1803, aged 24.
John Marsh, a distinguished amateur of Chichester, edited "Three Anthems
and a Hymn in four parts, composed by the late James Targett."
There are also three Chants by him in Marsh's "Cathedral Chants."
Organist of
1801 - 1803
|
|
Wikipedia page
Biographical Dictionary of the Organ
|
John Taverner |
c. 1490 - 25th Oct 1545 |
John Taverner
1526
1530
Born at Boston, Lincs, about 1490. Master of the Choir and Stipendiary
of Tattershall Collegiate Church, 1525. Appointed, by Cardinal
Wolsey, Informator of the Children and Organist at Cardinal College
(now Christ Church Cathedral), Oxford, November, 1526, at a salary
of £10 a year, with livery and commons.
It is said that, while at
Oxford, he narrowly escaped martyrdom for being concerned with
heretics. Resigned this appointment, April, 1530. In August, 1538,
he and another courtier, named Jones, were appointed by Cromwell to
arrange matters for the suppression of the four Friaries at Boston.
Died at Boston, the exact year of his death being unknown.
Composer of Masses, Motets, In Nomines, Etc.
(Dr. W. H. Grattan Flood, Musical Times, September, 1921).
Organist of
1526 - 1530
|
|
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Choral Public Domain Library Web site
Taverner, John, organist and composer
of the 16th century. He was organist of Boston, Lincolnshire, and of Christ Church, Oxford. He was involved in the Reformation struggle, and narrowly escaped martyrdom.
He composed masses, motets, and anthems,
now existing in MS.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
James Taylor |
1833 - 1st Aug 1900 |
James Taylor was born at Gloucester, 1833.
Pupil of G. W. Morgan.
Organist of . Organist of New College, Oxford, 1865.
Organist also to the University.
Died August 1, 1900.
There is a memorial tablet to him on the wall of the Cloisters.
Composer of Church Music, Organ pieces, Pianoforte pieces, Songs, &c.
Organist of
St. Mary-le-Crypt, Gloucester, 1850
1865 - 1900
| |
Biographical Dictionary of the Organ
1873
James Taylor
Mus. Bac.
New Col.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
FUNERAL OF DR. TAYLOR. The funeral of James Taylor, organist the University and to New College,
whose death occuired on the 1st inst. at his residence. No. 43, Panbury-road. in this city, took place on Saturday afternoon. The coffin, on which were placed number of beautiful wreaths, was conveyed to New College Chapel, where the first part of the Tonal Service was read by the Rev. Canon Spooner, and the Rev. Canon King, vicar of St. Peter-in-the-East,
read the concluding portion at the interment in Holywell Cemetery. The mourners were Mrs. Taylor, widow of the deceased. Mr. Leonard Taylor, Mr. R. Taylor and Mr. C. Taylor, sons, and Miss and Miss Taylor, daughters. The plate on the coffin, which was of polished oak, bore the following inscription : James Taylor, Died August Ist. 1900, Aged 67.
Mr. Leonard C. Taylor asks us to state, in correction of the announcement in last week’s issue, that bis father, the late Dr. James Taylor, enjoyed excellent health for the last two years of his life, except for an illness he had last term, from which had quite recovered. He was quite well on the Tuesday before his death, and died suddenly and unexpectedly from a stroke.
Oxford Times
Saturday 11 August 1900
(www.britishnewspaperarchive.co.uk)
|
George Thaxton |
|
Organist of
1547 - c.1558
|
|
Biographical Dictionary of the Organ
Organists Of St George's Chapel
|
| Edward Thompson |
|
Was a Chorister in Magdalen College, Oxford. and probably an
articled pupil to his cousin, Thomas Hecht, the Organist there.
Organist of
1718 - 1746
|
|
Biographical Dictionary of the Organ
|
Edward Henry Thorne |
1834 - 26th Dec 1917 |
Edward Henry Thornewas born at Cranbourne, Dorset, 1834.
Pupil of Sir George Elvey, and Assistant-Organist at St. George's Chapel, Windsor, when only 12 years of age.
While at St. Anne's, Soho, London, his performances of the "Christmas Oratorio," the
"St. John" Passion, and other works of Bach, and his Bach Organ Recitals, were notable events among Church musicians and others.
Died December 26, 1917.
Composer of Church Music, Organ pieces, Part-songs, Pianoforte pieces, Etc. His Anthem, "I was glad" was written
for the reopening Service at Chichester Cathedral in 1867, after the falling in of the spire.
Organist of
Parish Church, Henley-on-Thames, 1853
, 1863 - 1870
St. Patrick's, Hove, 1870
St. Peter's, Cranley Gardens, London, 1873
St. Michael's, Cornhill, 1875
St. Anne's, Soho, London, 1891
|
|
Wikipedia page
Biographical Dictionary of the Organ
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
Oxford Music Online Web site
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
 Canturbury Press
Web site
Link to the Discogs page
DEATH Dr Edward Henry Thorne, organist and choirmaster of St. Anne's, Soho, London, since 1891, died on Tuesday, aged 82 years.
At the age of 12 he was appointed assistant organist at Windsor Castle, and on many occasions played before Queen Victoria and the Prince Consort.
As a composer he was well known for his anthems and Church music, including "All Thy works praise Thee, In the beginning was the word, O cast thy burden upon the Lord."
Hull Daily Mail
Saturday 30 December 1916
(www.britishnewspaperarchive.co.uk)
EDWARD HENRY THORNEDr. Edward Henry Thorne, organist and choirmaster of St. Anne's. Soho, died on Tuesday, at the age of 82 years.
Born at Cranborne, Dorsetshire, in 1834. he was appointed at the age of twelve assistant organist at the Chapel Royal, Windsor Castle, where he was educated.
For seven years he was Cathedral organist at Chichester. and then moved to London. Dr. Thorne was recently described "the Grand Old Man of the musical world," linking the younger generation with S. S. Wesley, W. S. Best, Turle, Goss. Stainer, Sullivan, and Barnby. all of whom knew personally.
As a composer Dr. Thorne was known throughout the English Church for his anthems and Church music, but he will probably more widely remembered as the composer of the setting of three popular hymns, "Jesus calls us o'er the tumult," "Around the Throne of God," and "He. who once in righteous vengeance."
He was for twenty five years organist at St. Anne's, Soho, where he continued the Bach traditions of that church. It is computed that his performances of the Christmas oratorio and the Passion Music drawn over 200,000 persons to those services.
Hastings and St Leonards Observer
Saturday 30 December 1916
(www.britishnewspaperarchive.co.uk)
Thorne, Edward Henry, organist,
pianist, and composer, born at Cranborne, Dorset, May 9, 1834. Musically educated at St. George's Chapel, Windsor, under (Sir)
George Elvey.
Organist successively at Henley-on-Thames, 1853 ; Chichester Cathedral, 1863; St. Patrick's, Brighton, 1870; St. Peter's, Cranley Gardens, London, 1878 ;
St. Michael's, Cornhill, 1875 ; and St. Anne's, Soho, 1891 to present time.
He has given concerts and pf. recitals in London, Brighton, and other places, for a number cf years; recitals at Queen's Hall, 1895-6 ; and is
conductor of St. Anne's Choral and Orchestral Society ; and societies at Clapham and Worthing.
Works.—Psalm 57, for tenor solo, chorus, and orchestra, St. James's Hall (Willing's choir), February 26, 1884; Psalm 125; Magnificat
and Nunc Dimittis, for soli, chorus, orchestra, and organ, composed for the Festival of the Sons of the Clergy ; Church Services.
Anthems : All Thy works praise Thee ; Behold, the Lord, the Ruler, is come ; In sweet consent ; Let us now praise famous men
(men's voices) ; The Lord that brought us ; and others. Sacred Music for the home circle, 1859. Edited A Selection of single and
double chants (1860?), London, Hamilton. Songs, various. Overture, Peveril of the Peak (prize). Promenade Concerts, Covent
Garden, October 29, 1885. Two trios, pf. and strings; Sonatas for pf. and violin, and pf. and 'cello ; Sonata Elegia, pf. Romance, pf.
and 'cello ; Suite, pf. and clarinet, etc.
Original compositions for organ, seven books; Organ pieces, various.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
William Tireman |
|
William Tireman
Died March 16, 1777. Buried in All Saints' Church, Cambridge.
Organist of
Doncaster Parish Church, 1739
1741 - 1777
University of St John's College, Cambridge, from February to March, 1777
|
|
Biographical Dictionary of the Organ
 Oxford Music Online Web site |
Giles Tomkins |
? - 1668 |
Giles Tomkins (Senr.)
1668
1631
According to the records at Salisbury his appointment there was made
"Salvo Jure Ed. Tucker, Organiste." He had previously (1629) been
appointed Altarist.
Brother of Thomas and John Tomkins.
Reappointed to Salisbury Cathedral post at the Restoration.
Appointed a "Musician for the Virginalls with
the voices in ordinary" to Charles 1., April 2, 1630.
Joint-Organist with his brother John to the King on his journey to Scotland, 1633.
Reappointed a "virginal player" in 1660.
Died 1668.
Organist of
, 1624-1626
1631 - 1668
|
|
Biographical Dictionary of the Organ
|
Giles Tomkins |
1633 - 1725 |
Giles Tomkins (Junr.)
Nephew of Thomas Tomkins and son of Giles Tomkins of Salisbury.
Born at Salisbury, 1633.
Dismissed from Worcester Cathedral for absence, April 26, 1662.
Organist of
1661 - 1662
|
|
Biographical Dictionary of the Organ
|
John Tomkins |
c.1586 - 1638 |
John Tomkins,was the brother of Thomas Tomkins.
Gentleman of the Chapel Royal, 1626.
His stipend on appointment at Kings College, Cambridge, was 50s. a quarter as Organist and 11s. 8d. for
instructing the Choristers. The stipend as Organist was afterwards
augmented to 58s. 4d.
According to the records his payment as Organist at Kings College, Cambridge, ceased in 1619 ; but his
name appears from time to time in the list of resident members of the
College who were entitled to allowances for Commons, until 1621.
Died 1638. Buried in St. Paul's Cathedral.
Some Anthems by him are to be found in Barnard's Collection.
An inscription to him in the North Aisle of the Old Cathedral, where he was
buried, read as follows:—
Johannes Tomkins, Musicæ
Baccalaureus, organista sui
temporis celeberrimus, post-quam
Capellæ regali, per annos
duodecim, huic autem Ecclesiæ
per novem decem sedulo inser-
viisset, ad cœlestem chorum
migravit Septembris 27, Anno
Domini 1638. Ætatis suæ 52.
Cujus desiderium mærens uxor
hoc testatur marmore.
Organist of
1622 - 1638
|
|
Biographical Dictionary of the Organ
Hymnary Web site
1608.
Mus. Bac.—John Tomkins, son of Rev. Thomas Tomkins,
Minor Canon of Gloucester. He was born in 1586, and
became Organist of King's College, Cambridge, in 1606. He
belonged to a large family of musicians, and was a brother
of Thomas Tomkins, Mus. Bac., of Oxford).
Later in life he became Organist of St. Paul's Cathedral and
a member of the Chapel Royal, and died in 1638. Barnard's
collection contains some anthems by him.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy) |
Thomas Tomkins (Senr.) |
|
Thomas Tomkins (Senr.) was the father of the Thomas Tomkins who became Organist of Worcester
Cathedral.
Was Vicar Choral in 1571, when on July 12 he was
admonished by the Precentor. On April 29, 1577, he is described as
"Master of the Choristers and Organ Player," when, upon his
declaration that he was unable to live upon the "wages and commodity"
then offered to him, his son—Thomas Tomkins, Junr. was granted a
Vicar's Stall which had become vacant, "to the end that his poor
father, at whose finding he is, may thereby the rather be relieved."
This, however, he forfeited in 1586, for misbehaviour.
Thomas Tomkins, Senr., afterwards became Precentor of Gloucester
Cathedral. He is probably the composer of the Madrigal "The fauns
and satyrs tripping," included in "The Triumphs of Oriana," 1601.
Organist of
|
|
Biographical Dictionary of the Organ
|
Thomas Tomkins |
1575 - 1656 |
Thomas Tomkins, (jnr.) was the son of Thomas Tomkins, Senr., a Vicar-Choral and Organist of
St. David's Cathedral.
Born at St. David's about 1575. Possibly a Chorister in the Chapel Royal. Pupil of Byrd. Gentleman
and Organist of the Chapel Royal, 1621 ; afterwards Organist of Worcester Cathedral.
Died 1656. Buried at Martin Hussingtree, near Worcester.
Composer of "Musica Deo Sacra et Ecclesiæ Anglicanæ; or, Musick
dedicated to the Honor and Service of God," and other Church Music, Madrigals, pieces for Virginals, Etc.
In 1613-14, and again in 1639-40, Tomkins appears to have been actively concerned in the erection of new organs in the Cathedral.
In 1625, 40 shillings was paid to him "for composing of many songes against the Coronation of Kinge Charles."
From the Treasurer's Accounts, 1643 .—— quot;To the Mason for tyles, lyme and worke, done in repaöion of
Mr. Organist's house, ruined by a canon shott.
When
attempted the taking of the city, May 29, 1643 4s. 4d "
Organist of
1596 - 1656
1621 - 1656
|
Thomas Tomkins |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Hymnary Web site
Link to the Discogs page
Tomkins, Thomas, organist and composer,
was born at Gloucester in 1586. He became a chorister in Gloucester Cathedral.
Educated at Magdalen College, Oxford. Mus. Bac, Oxon., 1607. He studied under Byrd, and became a Gentleman of the Chapel Royal in 1621, and organist in 1621. Organist of
Worcester Cathedral. He died at Worcester, in June, 1656. He composed
Songs of 3, 4, 5 and 6 parts, 1622 ; "Musica Deo Sacra efc Ecclesiffi Anglicana, or Musick dedicated to the Honor and Service of God..," London,
1664 (issued in 10 parts).
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
| | | |
John Tomkins |
|
Organist of
1606 - 1619 (21?)
1622 - 1638 |
|
Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
|
| | | |
John Travers |
|
John Travers was born about 1703. A Chorister in St. George's Chapel, Windsor.
Pupil of Dr. Greene and Dr. Pepusch.
Died 1758.
Composer of Church Music, Songs, Organ pieces, Etc.
Organist of
St. Paul's, Covent Garden
Fulham Parish Church
1737 - 1758
|
|
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Hymnary Web site
Choral Public Domain Library Web site
Travers, John, composer and organist,
born about 1703. Chorister in St. George's Chapel, Windsor. He studied under Greene and Pepusch, and became organist of St. Paul's, Covent Garden, 1725, and afterwards
organist at Fulham. Organist of Chapel Roval May 10, 1737. He died in 1758.
Published "The Whole Book of Psalms for one, two, three, four, and five voices, with a Thorough Bass for the Harpsichord," London, 1746, 2.vols. "
Eighteen Canzonets for two and three Voices, the words chiefly by Matthew Prior," London [174.5]. "Twelve Canzonets for two and three Voices." Anthems: Ascribe unto
the Lord ; Ponder my words ; Keep, we beseech Thee, O Lord. XII. Voluntaries for the organ or harpsichord [1760]. Songs: Bibs, Bright author of my present flame.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Edward Tucker |
|
Edward Tucker was a Composer of Church Music. The Anthem, "This is the day," generally
attributed to the Rev. Wm. Tucker (Minor Canon of Westminster, 1660),
is more probably the composition of Edward Tucker, from the fact that it
appears in an old MS. Bass part-book, formerly in the possession of the late
J. S. Bumpus, bearing evidences of belonging to a pre-Restoration period.
It is there attributed to "Mr. Tucker."
Organist of
1626 - 1638
|
|
Biographical Dictionary of the Organ
|
Thomas Tudway |
- 23rd Nov 1726 |
Thomas Tudway was born about 1650. Is said to have been a Chorister in the Chapel Royal and
afterwards a Lay Vicar of St. George's Chapel, Windsor. Organist of
King's College, Cambridge, 1670 ; also Organist to the University and
of Pembroke Hall. University Professor of Music, 1705. Composer and
Organist Extraordinary to Queen Anne, 1705. Deprived of his appointments owing to some remarks which he made being considered disloyal to
the Queen, 1706, but re-instated in all these posts the following year.
Eventually resigned them in 1726, and spent the latter portion of his life in
forming, at the instigation of Lord Harley, the valuable collection of
English Music known as the "Tudway" Collection (British Museum,
Harleian MSS., 7337-7342).
Died 1730.
Composer of Church Music, Songs, Etc.
Tudway was an inveterate punster, and part of the offence which deprived
him of his appointments was a remark complaining of the paucity of the
patronage of the Chancellor, the Duke of Somerset: "The Chancellor
rides us all, without a bit in our mouths"
Organist of
1670 1726
|
Thomas Tudway |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Laft Week diedDr. Thomas Tudway, Profeffor of Mufick in the Univerfity of Cambridge, being upwards of 70 Years of Age. He was Organift of King's College, and Pembroke-Hall ; the former of which Places he enjoy'd above fifty Years.
Newcastle Courant
Saturday 10 December 1726
(www.britishnewspaperarchive.co.uk)
 Music 18
Web site
Tudway, Thomas, composer and organist
of the 17th century, was born about 1650. He was a chorister in the Chapel Royal under Dr. Blow, from 1660. Layvicar St. George's Chapel, Windsor, 1664,
Organist of King's College, Cambridge, 1670. Instructor of choristers. King's College, 1679-80. Organist of Pembroke College. Mus. Bac, Cantab., 1681. Professor of music
in Cambridge University, 1704. Mus. Doc, Cantab, 1705. Suspended from his University offices, 1706-7. Resigned his organ at King's College in 1726, and retired to London,
where he employed himself in forming a collection of music for Edward (Lord Harley) Earl of Oxford. He died in 1730.
Works.—A Collection of the most celebrated Services and Anthems used in the Cliurch of England, from the Reformation
to the Restoration of K. Charles II , composed by the best masters and collected by Thomas Tudway..," 6 vols [1715-1720], now
preserved in MS. in the British Museum, London. Of this collection a list will be found in the British iluseum Catalogue of
MS. Music. From it a number of services and antliems have been printed at various times. Tudway composed various anthems,
motets, services, and songs.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Harry William Tupper |
1871- 28th sep 1929 |
Harry William Tupperwas born at Dartford, Kent.
Pupil of Drs. C. W. Pearce and E. H. Turpin and Sir John Stainer.
Acting-Organist and Master of the Choristers at Lichfield Cathedral for a time during 1904.
Organist of
St. Peter's, Staines, 1889
Parish Church, Bishop's Stortford, 1891
Parish Church, Burton-on-Trent, 1898
Hexbam Abbey, 1917
|
|
Biographical Dictionary of the Organ
Organist's Tragic Death. When members of the Press arrived at the house of the late Mr. Harry William Tupper, Mus. Bac. (Oxon.). F.R.C.0.. of 88. Radcliffe-road, West Bridgford, they were informed by the County Coroner (Lt.-Col. Bradwell), that the inquest would be held in camera.
This is a most unusual procedure, and a wrong construction may have been put on the reason for the exclusion of newspaper men.
For many years the deceased was organist at the Burton-on-Trent Parish Church. subsequently filling a similar post at, Bouthwell Cathedral.
Last Friday he retired to bed about 10 p.m.. but early the next morning was found dead by his wife. The room was full of gas, and a coat and towel had been placed around the frame of her husband's bedroom door. Near his mouth was a tube attached to the gas bracket.
Hilda Mary Tupper, the widow, was the only witness called at the inquest, although Dr. C. H. Warner. of Southwell, who is the Medical Officer of Health for Beeston, was also present. Mrs. Tupper stated that her husband was 58 years of age. Until July he had been organist at Southwell Minster for 11 years. He resigned owing to a breakdown in health. The fact of leaving Southwell made him depressed. He had said he would be better out of the way. On Friday he seemed depressed.
Deceased retired to bed about 10 p.m. as usual, sleeping in a room by himself. "I awoke, and thought I could smell gas, about 5.10 a.m.," said witness. "I thought I was mistaken. I went to his room about 7.40 a.m., and found the door blocked. I found him in bed, with a gas tube near him, which was attached to a bracket near his bed. He was dead, and in his nightshirt." The verdict was: "That Harry William Tupper died from carbon monoxide poisoning. and that he committed suicide whilst
in an unsound state of mind."
Beeston Gazette and Echo
Saturday 05 October 1929
(www.britishnewspaperarchive.co.uk)
Organist's Will. Mr. Harry William Tupper. Mus.Bac.. F.R.C.0.. of 88. Radcliffe-road. West Bridgford. formerly organist at Southwell, Cathedral. who died on September 28th intestate. left (state of the gross value of £3.557. with net personalty £2.841.
Letters of administration of his will has been granted to his widow. Hilda Mary Tupper, of 88. Radchffe-rcad, West Bridgford. and Henry George Seymour. bank manager. of 36. Ashfield-avenue, King's Berth. Birmingham.
South Notts Echo
Saturday 30 November 1929
(www.britishnewspaperarchive.co.uk)
|
James Turle |
5th Mar 1802 - 28th Jun 1882 |
James Turle was born at Taunton, March 5, 1802.
Chorister in Wells Cathedral. Pupil of J. J. Goss and G. E. Williams.
Appointed Deputy-Organist at Westminster Abbey, 1819.
Music Master to the School for the Indigent Blind, 1829.
Succeeded
Greatorex
Thomas Greatorex
1758 - 18th Jul 1831
as Organist of Westminster Abbey, 1831.
Retired from active duties of the post. 1875.
Died in London, June 28, 1882. Buried in Norwood Cemetery.
Composer of Church Music, Glees, Etc.
Joint-Author, with E. Taylor, of"The Art of Singing at Sight. "
Editor of Willbye's First Set of Madrigals; Single and Double Chants, composed for the use of the Choral Service of Westminster Abbey.
Joint Editor, with Dr. J. F. (now Sir Frederick) Bridge
Sir Frederick Bridge
5th Dec 1844 – 18th Mar 1924 , of the Westminster Abbey Chant Book, Etc. Compiler of Hymn and Chant Books, Etc.
On the day of Tune's retirement, September 19, 1875, his Service in D was sung at Westminster Abbey.
There is a memorial tablet to him in the West Cloister, and a window in the North Aisle of the Choir.
Organist of
Christ Church, Southwark, 1819;
St. James's, Bermondsey, 1829.
1831 - 1882 |
James Turle |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Choral Public Domain Library Web site
Hymnary Web site
Biographical Dictionary of the Organ
Westminster Abbey
Web Site
Turle, James, organist, composer, and
writer, born at Somerton, Somerset, March 5, 1802. Chorister in Wells Cathedral, 1810-13.
Organist of Christ Church, Southwark, 1819-1829, and of St. James', Bermondsey, 1829-31. Assistant organist to Greatorex at Westminster
Abbey till 1831, and succeeded him as organist and master of the choristers, 1831. Musicmaster at the School for the Indigent Blind,
1829-56. He died at London, June 28, 1882.
WORKS.—Art of Singing at Sight (with E. Taylor), London, 1846. Psalms and Hymns, 1855. Psalms and Hymns for public worship,
with appropriate tunes, London, 1863, 1864, 1869. Hymns for public worship, revised, 1863. Psalter and Canticles, with Chants,
London, 1865. Child's own Tune Book, 1865.
The People's Music Book (with E. Taylor), London, n.d. Edited Wilbye's First Set of Madrigals, for the Musical Antiquarian
Society, 1841. Single and Double Chants, composed for the use of the Choral Service of Westminster Abbey. The Westminster Abbey
Chant Book, with Dr. J. F. Bridge, n.d. Church Services in D, E flat, etc. Anthems : Almighty and most merciful God ; Hear my
crying, O God ; The Lord that made heaven and earth ; This is the day which the Lord hath made ; Arise and help, etc. Hymn
tunes and chants.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Robert Turle |
1804 - 1877 |
Robert Turle was the Younger brother of James Turle, Organist of Westminster Abbey.
Born at Taunton, 1804.
Appointed Organist of Armagh Cathedral, in succession
to F. W. Horncastle. Retired on a pension, 1872.
Died at Salisbury, 1877.
Composer of Church Music. Two Double Chants by him are still in use.
|
|
Biographical Dictionary of the Organ
|
Christopher Tye |
c.1500 - c,15th Mar 1573 |
Christopher Tye "Magister Choristarum" and Organist.
Born about 1500.
Probably a Chorister in King's College, Cambridge. Lay Clerk there in 1536,
obtaining his degree of Mus.B. in the same year. Took Orders in 1560,
and held successively the Rectories of Little Wilbraham, Newton,
and Doddington-cum-March.
Is said to have been appointed Organist
of the Chapel Royal in 1562, but this seems doubtful. Possibly he
took occasional duty there (see the anecdote below).
Died circa January, 1572-3.
A prominent Organist and Composer of the Reformation period. Commenced rhythmical paraphrase of the Acts of
the Apostlep, and set it to music. It was unsuccessful, and he never
completed the task. Early copies of his Evening Service in G minor
and of four Anthems are in the Ely Cathedral Library.
According to Anthony Wood : "Dr. Tye was a peevish and humorsome man.
especially in his later days, and sometimes playing on the organ in the
Chapel of Queen Elizabeth, which contained much music but little to
delight the ear, she would send the verger to tell him that he played
out of tune, whereupon he sent word that her ears were out of tune."
Organist of
1562?
1841 - 1561
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Christopher Tye |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
Acts of the Apostles into English metre, and set them to music ; but they were not a success, for Tye, though he had a good reputation as a literary man, was no poet.
Hawkins quotes a portion of this work, consisting of a fine Canon to words beginning &qute;It chanced in Iconium, as we ofttimes did use.&qute; After this he set selections from the Psalms, which compositions he called anthems, a corruption of antiphon.
In 1541 he became Organist of Ely Cathedral, and held this post till 1561, when he was probably appointed to the Royal Chapel.
In 1548 he incorporated at Oxford. He died about 1580.
Compositions by him are preserved in the Music School and at Ch. Ch., Oxford, in the Tudway collection, in Rimbault's and Boyce's Cathedral Music, in Barnard's Church Music, in Page's &qute;Harmonia Sacra,&qute; and in Mulliner's MS. (Add. MSS., 30,513).
He was in Holy Orders, and held successively the Rectories of Little Wil- braham, Newton, and Doddington-cum-March, all in Cambridgeshire.
Tye was the first of the great school of composers for the English Cathedral Service, and prepared the ground for Tallis and Bird. Wood attributes to him the restoration of Church music, after it had been ruined by the dissolution of the monasteries.
1545 - Mus. Doc. — Christopher Tye.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Link to the Discogs page
 Link to the Hyperion web site
 Link to the Naxod web site
Tye, Christopher, organist, composer,
and verse-writer, born at Westminster, early in the 16th century. He was a chorister and Gentleman of the Chapel Royal, 1545. Mus.
Bac, Cantab., 1536. Organist of Ely Cathedral, 1541-1561. Mus. Doc, Cantab., 1545, and Oxon. [ad eundem), 1548. He was a clergyman, and was successively miirister of
Little Wilbraham, 1564; Newton, 1567-70; and Doddington-cum-March, 1570-72, all in Cambridgeshire. He died in March, 1572.
Works.—The Actes of the Apostles, translated into Englyshe meter, and dedicated to the Kynge's moste excellaunte Maiestye..
with notes to eche chapter, to synge and also to play upon the lute. .. .London, 1553; A notable historye of Nastagio and Traversari,
no less pitiefull than plesaunt, out of Italian, London, 1569 ; Service in G minor. Anthems : 1 will exalt Thee ; Sing unto the Lord ; This
is the day which the Lord hath made ; Arise, and help us. Masses, anthems, and other works in MS. A number of psalm tunes have
been adapted from Tye's compositions.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Walter Vicary |
1770 - 5th Jan 1845 |
Walter Vicary was born 1770.
Chorister in the Chapel Royal. Assistant-Organist to Dr. P.
Hayes at Magdalen College; Organist, Magdalen College, 1797. Lay Chaplain of New
College, Oxford, 1812-1844. Lay Clerk of St. John's College, Oxford,
1816-1828. Organist to the University, 1830.
Died at Oxford, January 5,
1845. Buried in Holywell Churchyard.
Composer of Church Music, Songs, Etc.
Organist of
1797 - 1845
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Walter VicaryClick to see orriginal |
Biographical Dictionary of the Organ
Organist of Magdalen College, 1797- 1845 ; Lay-Chaplain of New College, 1812-44 i Singing Man of St. John's College, 1816-28 ; Organist of St. Mary's Church, 1830.
He was born in 1770, and died in 1845.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DeathsOn the 5th instant, at his residence in holywell-street, Oxford, at a very advanced age, Walter Vicary, Esq., for upwards of thirty years of Magdeline College.
Morning Chronicle
Tuesday 07 January 1845
(www.britishnewspaperarchive.co.uk)
Vicary, Walter, organist and composer,
was born in 1770. He was organist of Magdalen CoUege, Oxford, from 1797 to 1845 ; in 1805 he graduated Mus. Bac, Oxford; and he also held the appointments of Lay-chaplain
of New College, Oxford, 1812-44; Singing man of St. John's College, Oxford, 1816-28; and organist of St. Mary's Church, Oxford, 1880.
He died at Oxford, January 5, 1845. Composer of Church music, songs, etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Frederick William Wadely |
1882 - 1970 |
Frederick William Wadely was born at Kidderminster, 1882, and received his early musical training from
his father.
Organ Scholar of Selwyn College, Cambridge, and Stewart of Rannoch Scholar, 1900-1903.
Pupil of Sir Charles Stanford, Sir Walter Parratt, and Dr. Charles Wood at the Royal College of Music and at Cambridge.
Conductor of the Carlisle Symphony Concerts and the Carlisle Musical Society.
Composer of two Concert Overtures, a set of Symphonic Variations, various pieces for Chorus and Orchestra, Songs
with orchestral accompaniment, Church Music, Organ pieces, Part-songs, Etc.
Organist of
Wolverly Parish Church, 1895
St. Andrew's, Uxbridge, 1903
Malvern Priory Church, 1904
1910.
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Wikipedia page
Biographical Dictionary of the Organ
Link to the Discogs page
 Worldcat Web site |
John Wainwright |
1723 - 1768 |
John Wainwright was born at Stockport, 1723. Baptized April 14, 1723. Buried at Stockport,
January 28, 1768.
Deputy-Organist at Manchester Cathedral prior to becoming organist.
Composer of Anthems, Hymns, Chants, Etc. His well known tune to "Christians, awake, salute the happy morn,"
was first published in his "Collection of Psalm Tunes, Anthems, Hymns, and Chants,
for One, Two, Three, and Four voices," in 1766.
Organist of
1767 - 1768
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Wikipedia page
Biographical Dictionary of the Organ
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
Wainwright, John, composer and
organist, born at Stockport about 1723. He became organist of Manchester Cathedral in 1767. He died in January, 1768, and is buried
at Stockport. He composed anthems, hymns,etc., and issued a " Collection of psalm tunes, anthems, hymns, and chants, for 1, 2, 3 and
4 voices," London [1766), in which is contained the well-known hymn or carol usually sung to Byrom's words, "Christians, awake,
salute the happy morn,"
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Richard Wainwright |
1758 - 20th Aug 1825 |
Richard Wainwright Son of the preceding. Born 1758.
Succeeded his brother as organist at St. Peter's, Liverpool, 1782. Organist for some time at St. James's, Toxteth Park. Re-
appointed Organist of St. Peter's, 1813.
Died August 20, 1825.
Composer of Church Music, Glees,
Organist of
St. Anne's, Manchester
1775 - 1782
St. Peter's, Liverpool, 1782 & 1813
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Wikipedia page
Biographical Dictionary of the Organ
Richard Wainwright, was born in 1758.
He was organist of the Collegiate Church, and St. Ann's, Manchester, and succeeded his brother in 1782 as organist of St. Peter's, Liverpool. He also held the appointment of
organist of St. James', Toxteth Park, Liverpool, for a time, but returned again to St. Peter's. He died at Liverpool, August 20,
1825. He composed "Life's a bumper," a well-known glee [1800] ; the hymn tune, "Wainwright," and other pieces of vocal music. Also editor of "A Collection of Hymns with appropriate symphonies," Liverpool [1809].
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Robert Wainwright |
1748 - 15th Jul 1782 |
Robert Wainwright was the son of John Wainwright. Born 1748.
Died July 15, 1782.
Buried in St. Peter's, Liverpool.
Composer of an Oratorio, "The Fall of Egypt," a Te Deum, Psalm Tunes, Etc.
In 1766 Robert Wainwright competed for the post of Organist at Halifax
Parish Church. Dr. Miller, in his "History of Doncaster,"
relates the following story in connection with that occasion :—
"A new organ by Snetzler had been erected in the Parish Church, and was
opened with an Oratorio by Mr. Joah Bates. There were seven candidates
for the situation of Organist: among them were Robert Wainwright and
F. W. Herschel, then leader of the concerts at Halifax, and an intimate
friend of Dr. Miller. Concerning the others we have no information. On
the day of trial, August 30, they attended at the church, and the order in
which they were to play was decided by lot. The second was drawn by
Wainwright and the third by Herschel. Wainwright's execution was so
rapid that old Snetzler ran about exclaiming, ' Te tevil, te tevll, he run
over te keys like voh cat; he vill not give my piphes room for to shpeak.'
During this performance Miller said to Herschel, What chance have you
to follow this man?' He replied, ' I don't know, but I am sure fingers
will not do.' In due time he ascended the gallery and drew from the
organ such a full volume of slow solemn harmony as Miller could by no
means account for. After a short extempore effusion of this character, he
finished with the Old 100th tune, which he played better than his opponent
had done. Aye, aye,' cried Snetzler, ' tish is very goot, very goot
inteet; I will luff tish man, for he gives my piphes room for to shpeak.'
Herschel being afterwards asked by Miller by what means he had produced
so uncommon an effect, answered, I told you fingers would not do,' and,
taking two pieces of lead from his waistcoat pocket, he said. ' One of
these I placed on the lowest key of the organ and the other on the octave
above; thus, by accommodating the harmony, I gained the power of four
hands instead of two.' Herschel was thereupon appointed, but soon after
entered upon other pursuits, and the Musician has been long forgotten
in the Astronomer ."—(See Parr's "Church of England Psalmody."
Organist of
1768 - 1775
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Wikipedia page
Biographical Dictionary of the Organ
Cyber Hymnal Web Site
Hymnary Web site
1774
Mus. Bac. and Mus. Doc. — Robert Wainwright, of Magdalen College. Born in 1748; Organist of St. Peter's, Liverpool, 1775. His Oratorio "The Fall of Egypt" was produced at Liverpool in 1780, and he wrote some services and anthems. He died in 1782.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DeathsTuefday laft, very fuddenly at Liverpool, Robert Wainwright, Doctor in mufic, organift of St. Peter’s Church in that town, a gentleman eminent in his profeffion, both a compofer and performer, and not more refpected for thefe than for the virtues his mind, which were confpicuous to all his acquaintances.
Cumberland Pacquet, and Ware's Whitehaven Advertiser
Tuesday 23 July 1782
(www.britishnewspaperarchive.co.uk)
MarriagesOn Thurfday laft was married, Robert Wainwright, Muf. D. Organift in Manchefter, to Mifs Woodworth
Leeds Intelligencer
Tuesday 17 January 1775
(www.britishnewspaperarchive.co.uk)
Wainwright, Robert, born in 1748, succeeded
his father as organist of Manchester Collegiate Church in 1768. In 1774 he accumulated the degrees of Bac. and Doc. Mus., Oxford, and
in 1775 he became organist of St. Peter's, Liverpool. He died on July 15, 1782, aged 34.
He composed an oratorio entitled "e;The Fall of Egypt"e;; a Te Deum (degree exercise), 1774; "e;The Psalm Tunes,"e; "e;St. Gregory,"e;
"e;Manchester,"e; and "e;Liverpool,"e; etc.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
Anthony Walkeley |
1672 - 1717 |
Anthony Walkeley was born 1672.
Chorister in Wells Cathedral, and afterwards Vicar Choral there.
Died at Salisbury, 1717. Buried in Salisbury Cathedral Nave.
A Morning Service by him in E flat is included in Tudway's Collection, and some of his Anthems are extant in MS.
His Morning Service in A was for a long time a favourite at Salisbury.
Organist of
1698? - 1717
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Biographical Dictionary of the Organ
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George Waterhouse |
- Feb 1602 |
Organist of
? - ?
1588 - 1602 |
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Biographical Dictionary of the Organ
Waterhouse, George, organist and composer
of the latter half of the 16th century. He was organist of Lincoln Cathedral, and afterwards of Queen Elizabeth's private chapel. In 1592 he graduated Mus. Bac,
Oxford. He died in 1601.
Composer of canons, etc., none of which are known to be extant.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Thomas Attwood Walmisley |
21th Jan 1814 - 17th Jan 1856 |
Thomas Attwood Walmisley was born January 21st 1814 at Westminster.
Pupil of his father, Thomas Forbes Walmkley, and of his godfather, Thomas Attwood.
University Professor of Music, 1836, while he was still in residence for his B.A. degree. It is said that about this time he was playing the organ at as many as eight services every Sunday—twice at each of the following places: King's College, Trinity College, St. John's College, and the University Church.
Died at Caroline Place, Hastings, January 1st 1856.
Buried in Fairlight Churchyard.
Composer of Odes, Church Music, Organ pieces, Songs, Duets for Pianoforte and Oboe, Etc.
His Cathedral music was edited by his father, T. Forbes Walmisley.
Organist of
Croydon Parish Church ,1830
1821 - 1832
1833 - 1856 |
Thomas Attwood Walmisley |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Biographical Dictionary of the Organ
Walmisley, Thomas Attwood, organist
and composer, born at London, January 21,
1814. He studied under Attwood, who was his godfather. Organist of Croydon Church, 1830, and of Trinity and St. John's Colleges, Cambridge, 1833. Mus. Bac.
Cantab., 1833. Professor of Music at Cambridge, 1836. B.A., 1838 ; M.A., 1841. Mus. Doc. Cantab., 1848. He died at Hastings, January 17, 1856.
Works.—Cathedral Music, a collection of services and anthems, London, 1857, edited by T. P. Walmisley. Odes on installation of
Duke of Northumberland (1842) and Prince Albert (1849) as chancellors of Cambridge University. Collection of Chants with the
responses in use at the chapels of King's, Trinity, and St. John's Colleges, Cambridge, London [1845]. Choral hymn in four parts.
Cambria, trio. Four songs by Mrs. Elliott (1854) ; Chatelar to Mary, Queen of Scots, and other songs.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Thomas Forbes Walmisley |
22nd May 1783 – 10th Jul 1866 |
Thomas Forbes Walmisley was the father of Thomas Attwood Walmisley.
Organist of
St Martin-in-the-Fields
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Thomas Forbes Walmisley
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Biographical Dictionary of the Organ
Walmisley, Thomas Forbes, composer
and organist, born at London in 1783. He was a chorister in Westminster Abbey, and studied under Attwood. Married eldest daughter of Wm. Capon, 1810. Organist of
St. Martin-in-the-Fields, London, 1812. He died at London, July 23, 1866.
Works.—Six Glees for 3, 4, 5, and 6 voices, London, 1814 ; A Collection of Glees, Trios, Rounds, and Canons, London, 1826 ; Six
Glees, dedicated to the Catch Club, London, 18.30 ; Six Glees for 4 voices, 3rd collection, London, 1830, ; Six Glees, 4th collection,
London ; many single glees, including prize glees, etc. Six Anthems and a short Morning and Evening Service, London, n.d. Sacred
Songs, London, 1841. Songs.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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William Walond |
Jan 1750 - 9th Feb 1836 |
William Walond was probably a son of William Walond, Mus.B., of Oxford.
Deputy-Organist Chichester Cathedral 1775.
Resigned his post at Chichester Cathedral in 1801 and lived
for some time in the city in extreme poverty, his only means of subsistence
being a small annuity raised upon the sale of some houses.
Died February 9, 1836.
Portions of his compositions are to be found in the Chichester Cathedral Choir books.
Organist of
1794 - 1801
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Wikipedia page
Biographical Dictionary of the Organ
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Theodore Walrond |
5th Dec 1872 - 1935 |
Theodore Walrond was born at Glasgow. December 5, 1872.
Pupil of Edwin Edwards and Basil Johnson at Rugby School, and of Dr. Harwood, at Oxford.
Music Master at Giggleswick School, 1899.
Assistant-Organist of Carlisle Cathedral, 1906.
Organist of
St. Cuthbert's, Carlisle
1909 - 1910
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Biographical Dictionary of the Organ
MR. THEODORE WALROND APPOINTEDThe Dean and Chapter have appointed Mr. Theodore Walrond acting organist of the Cathedral in succession to Mr. Sydney H. Nicholson, who isgoing to Manchester Cathedral in July.
Mr. Walrond come to Carlisle on January 1st. 1906. having been appointed organist of St. Cuthberts, Church in succession to Mr. C. O'Connor Morris.
During the past two years he has acted as assistant to Mr. Nicholson and become thoroughly acquainted with the Cathedral organ and the choir.
Prior to 1906 Mr. Walrond was for seven years music master and organist at Giggleswick School.
He was educated at Rugby and at Balliol College. Oxford. He is an M.A. of Oxford, and a Fellow of the Royal College of Organists.
He was born at Glasgow, but spent the greater part of his life at Rugby.
Since coming to Carlisle he has taken great interest in local musical affairs, and has done much in the capacity of hon. secretary of the Carlisle Musical Festival to help forward the annual competitions held in the Drill Hall. He is a skilful executant and accomplished soloist.
By his appointment the post of organist at St. Cuthbert's will shortly become vacant.
Carlisle Journal
Friday 22 May 1908
(www.britishnewspaperarchive.co.uk)
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George Walsh |
- 2nd Mar 1765 |
George Walsh was appointed a Vicar Choral of St. Patrick's Cathedral, 1760.
Died March 2, 1765.
Composer of a Morning Service in D, which is still in
use at Christ Church, and copies of which are said to exist in some of the
English Cathedrals. Sir Robert Stewart thought so highly of it that he
added a Communion Service in the same key and style. A fine score copy
of "Walsh in D" was in the possession of Mr. J. S. Bumpus.
Organist of
1747 - 1765
1760 - 1765
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Biographical Dictionary of the Organ
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John Wanless(e) |
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John Wanless(e).
Admitted Organist of Lincoln Cathedral by the Chancellor after Evening Prayers. Salary, £20 per
annum.
In 1625 the Gate House Cbambers in Vicars' Court were assigned to him
at a rent of 10s. per annum.
Organist of
1616 - ?
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Biographical Dictionary of the Organ
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Thomas Wanless |
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Thomas Wanless was probably the son of John Wanless(e), of Lincoln.
In the York Cathedral Chapter books he is
described as in "musicis experium." He published at York a collection
of Words of Anthems sung in the Cathedral. Composer of the "York
Litany," of which there are different versions extant. An Anthem by him
is in the Tudway Collection.
Organist of
1691 - ?
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Biographical Dictionary of the Organ
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George Warne |
1792 - 29th Oct 1868 |
George Warne was born 1792. He was blind.
Retired from the Temple Church, 1843.
Died at Bath, October 29, 1868.
Composer of a "Set of Psalm Tunes, as sung at the Temple Church, London " (1838), several Songs, and Pianoforte pieces.
Organist of
St Helen's Bishopsgate 1819 - 1820
St Magnus-the-Martyr 1820 - 1826
1826 - 1843
St. Nicholas Church, Great Yarmouth 1843 - 1856
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Wikipedia page
Biographical Dictionary of the Organ
DEATHSOctober 20th. at Bath. Mr. George Warne. formerly organist of the Temple Church, London, aged 71
Derbyshire Courier
Saturday 07 November 1868
(www.britishnewspaperarchive.co.uk)
Warne, George, composer and organist,
was born in 1792. He was blind, but for a number of years held the appointment of organist at the Temple Church, London.
Died at Bath, October 29, 1868.
Works.—Set of psalm tunes, as sung at the Temple Church, London [1838] . Songs : Broken gold ; Come away to the grot ; Evening
song ; bring me my harp ; We meet again in heaven. Quadrilles, galops, and other music for the pf.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
|
William Warren |
? - 1841 |
William Warren was the nephew of Langrish Doyle.
Joint-Organist with Dr. Doyle at Christ Church Cathedral, 1805
Died in Dublin, 1841.
Organist of
1814 - 1841
1827 - 1828
Trinity College Chapel
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Biographical Dictionary of the Organ
Warren, William, organist and composer,
was born in the latter part of the 18th century. He was organist of Christ Church Cathedral, Dublin, 1814, and graduated Mus. Doc, Dublin. Died at Dublin in July, 1841.
Composer of a prize glee, "Shepherds, hither come," 1802, and others.
British Musical Biography
James Duff Brown , Stephen Samuel Stratton
1897
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Thomas Warrock (or Warwick) |
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Thomas Warrock (or Warwick) was a descendant of an old Cumberland family, and father of Sir Philip Warwick ,
Secretary to the Treasury in the reign of Charles Il.
In 1641 he appears in the list of the King's musicians as "For
the Virginall." The year of his death is unknown. Composer of Church
Music, and a Song in forty parts, which is said to have been performed
before Charles I. There are two pieces by him in the Fitzwilliam
Virginal Book.
His name appears among the benefactors to the Library of the Vicars
Choral at Hereford.
During his appointment as Organist of the Chapel Royal, he had (on March
29, 1630) to forfeit a month's salary "because he presumed to play
verses on the organ at service tyme, being formerly inhibited by the Deane
from doinge the same, by reason of his insufficiency for that solemn
service."
Organist of
1586 - 1589
1625
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Wikipedia page
Biographical Dictionary of the Organ
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John Watkins |
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John Watkins, Vicar Choral, was probably
Organist Lincoln Cathedral 1518-1524.
He was required to compose a Mass and an Antiphon for his Degree.
Clerk of the Revestry Lincoln Cathedral, 1527.
Died 1542.
Organist of
1518 - 1524 ??
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Biographical Dictionary of the Organ
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James Weare |
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James Weare was admitted as Vicar Choral and Organist at Wells Cathedral for
a year of probation. In 1609 he was admitted a perpetual Vicar Choral.
Organist of
1608 - 1613 |
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Biographical Dictionary of the Organ
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Thomas Henry Weaving |
1881 - 1966 |
Thomas Henry Weaving was born at Birmingham, 1881.
Organ and Harmony Scholar at the Royal Irish Academy of Music, 1897-99
Conductor of the Æolian, Rathmines and Bray Musical Societies.
Composer of Church Music, secular, choral, and instrumental music.
Organist of
Straffan Church, 1897
Rutland Square Church, 1899
Christ Church, Kingstown, 1910
Chapel Royal, Dublin, 1917
1920 -
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Biographical Dictionary of the Organ
Hymnary Web site
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Edward Webb |
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| Edward Webb Died 1788, through loss of blood, after undergoing an operation for the removal of a
wen a benign encysted tumor of the skin, especially on the scalp, containing sebaceous matter; a sebaceous cyst.
from the nostril.
Buried in the Cloisters of St. George's Chapel, Windsor.
Organist of
1756 - 1788
1756 - 1788
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Biographical Dictionary of the Organ
Organists Of St George's Chapel
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Robert Webb |
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Robert Webb
The Accounts of Gloucester Cathedral mention that at the time of the building of the organ by
Harris (1665), "he was a-lying sick and poverty-stricken." There are
several payments recorded in connection with his illness, burial, and his orphan daughter.
Organist of
1662 - 1664
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Biographical Dictionary of the Organ
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John Wederby |
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John Wederby
Organist of
c.1441 - 1442
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Biographical Dictionary of the Organ
Organists Of St George's Chapel
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Thomas Weelkes |
1575 - 30th Nov 1623 |
Thomas Weelkes was born about 1575.
Organist of Winchester College, at a salary of 15. 4d. a quarter.
Died, while on a visit to London, November 30, 1623. Buried at St. Bride's, Fleet Street.
Better known at the present time by his Madrigals than by his Church Music. There is an Anthem by
him, "O Lord, grant the king a long life," in Barnard's Collection ; two
were also published by the Musical Antiquarian Society, and others are
extant in MS. His Service in F is given in Benjamin Cosyn's Virginal
Book.
"The Organist shall remain in the Choir until the last psalm be sung and
then go up to the organs, and there having done his duty, return into the
Choir again to bear his part all along, under the amercement of iij. toties
quoties. This is thought a meet matter in all double choirs, much more is
it necessary in all half-choirs, as ours Statutes of the Dean and
Chapter, 1616.")
Organist of
1598 - 1602
1602 - 1623
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Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
1602 Mus. Bac. — Thomas Weelkes, of New College, Organist of Wykeham's College, Winchester. Nothing is known of his life or the time of his birth or death. He was one of the most eminent of the madrigal writers, and his compositions, which are numerous, are still very popular, and several have been republished of late. Besides his published collections, he contributed to Leighton's "Teares and Lamentacions," Barnard's Collection, and there are MSS. of his compositions at the Royal College of Music and the British Museum.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
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John Weldon |
19th Jan 1676 - 7th May 1736 |
John Weldon was a Composer to the Chapel Royal 1715. (A second Composer's appointment was created and Weldon was the first to hold it.)
Born at Chichester, January 19, 1676. Pupil of John Walter at Eton College, and of Henry Purcell.
Gentleman Extraordinary of the Chapel Royal, 1701.
Composer (in the second place) to the Chapel Royal, 1715.
Died May 7, 1736. Buried in the Churchyard of St. Paul's, Covent Garden.
ComposerJohn Weldon's manuscript of "O be joyful". In the British Library. of Church Music, Operas, Songs, Airs for two Flutes and a Bass, Etc.
Organist of
St. Bride's, Fleet Street
St. Martin-in-the-Fields, 1726
1694 - 1702
1708 - 1736
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John Weldon |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Choral Public Domain Library Web site
Oxford Music Online Web site
Music 18
Web site
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| | Samuel Sebastian Wesley | |
Wesley-S-S |
14th Aug 1810 - 19th Apr 1876 |
Samuel Sebastian Wesley,was the Son of Samuel Wesley and grandson of the Rev. Charles Wesley,
the hymn writer.
Born in London, August 14, 1810. Chorister in the Chapel Royal.
Died at Gloucester, April 19, 1876. Buried in the Old Cemetery, Exeter. There is a tablet to his memory
in the North Aisle of the Nave at Exeter Cathedral, one also in the North Choir Aisle of Winchester Cathedral, and a stained glass window in the
South Chantry of the Lady Chapel at Gloucester Cathedral.
Distinguished Church composer and Organist. Composer of Church Music, Odes,
Madrigals, Organ pieces, Pianoforte pieces, Songs, Etc.
Author of pamphlets on Cathedral Music. Editor of a "Selection of Psalms and Hymns" and "The European Psalmist (1872)". There is an interesting
Organ book at Hereford Cathedral containing the organ part of Wesley's Anthem, "The Wilderness," in the composer's own handwriting. The
same book also contains his "Blessed be the God and Father," and "O God, Whose nature and property."
Dr. Wesley was a prominent advocate of reform in musical matters at our Cathedrals, and wrote and lectured with considerable insight and ability on
the subject. But his efforts to obtain from the Cathedral authorities a larger amount of interest, and to place the musical service on a higher and
more satisfactory footing, were only partly successful during his lifetime; and being a man of unusually sensitive temperament, it is more than
probable that the many troubles and disappointments which he experienced in his Cathedral duties, helped in a great measure to shorten his days.
There can be no doubt that these troubles largely accounted for the migratory character of his career as a Cathedral Organist.
The following extracts from a pamphlet by him, entitled "A few words on Cathedral Music and the Musical System of the Church, with a plan of
Reform" (London: Rivingtons, 1849), Will serve to illustrate one or two of his views.
"Painful and dangerous is the position of a young musician who, after acquiring great knowledge of his art in the Metropolis, joins a country
Cathedral. At first he can scarcely believe that the mass of error and inferiority in which he has to participate is habitual and irremediable. He
thinks he will reform matters, gently, and without giving offence ; but he soon discovers that it is his approbation and not his advice that is needed.
The choir is 'the best in England' (such being the belief at most Cathedrals), and, if he give trouble in his attempts at improvement. he
would be, by some Chapters, at once voted a person with whom they 'cannot go on smoothly,' and 'a bore.'
"He must learn to tolerate error, to sacrifice principle, and yet to indicate, by his outward demeanour, the most perfect satisfaction in his ofifce, in which,
if he fail, he will assuredly be worried and made miserable. If he resign his situation a hundre less scrupulous candidates soon appear, not one of
whom feels it a shame to accept office on the terms, and his motives being either misunderstood, or misrepresented wilfully, or both, no practical good
results from the step."
Referring to the careless performances and to the inferior quality of the music often performed, he says :—
"The illusive and fascinating effect of musical sound in a Cathedral unfortunately serves to blunt criticism, and casts a veil over defects otherwise unbearable. No coat of varnish can do for a picture what the
exquisitely reverberating qualities of a Cathedral do for music. And then, the organ ! what a multitude of sins does that cover !"
His argument with those who would have nothing but Plain-song in the musical service is thoroughly characteristic and convincing :—
"Some would reject all music but the unisonous Chants of a period of absolute barbarism—which they term ' Gregorian.' All is ' Gregorian
that in the black, diamond note. ! These men would look a Michael Angelo in the face and tell him Stonehenge was the perfection of architecture."
Here is another characteristic passage referring to the want of support many composers of eminence have experienced, and their pecuniary embarrassments resulting therefrom :—
"Why should we not have monuments to perpetuate the fame of those who neglect their duty, as well as of those who perform it ?"
As a part of his "Plan of Reform" he suggests that the minimum number of lay singers at one Cathedral should be fixed at twelve, with the addition of
a few competent volunteer members. He considers it absolutely necessary that there should be a Musical College for the efficient training of
Cathedral Organists and Singers, every Cathedral being required to contribute to its support.
"The Cathedral Organist "should in every instance be a professor of the highest ability—a master in the most elevated departments of composition
and efficient in the conducting and superintendence of a choral body."
One of the concluding sentences of the pamphlet runs thus :—
"Amongst the dignitaries of the Church are several distinguished persons who are fully alive to the high interests of music, and who do not forget
that whatever is offered to God should be as faultless as man can make it. Music should not be compelled to bring her worst gift to the altar! Is
it too much to ask of them some public effort in support of Cathedral Music? From whom could it so well come ?"
On the recommendation of Mr. Gladstone, Wesley was offered the honour of knighthood, with the alternative of a Civil List pension of {100 per annum,
for his distinguished services to Church Music. He chose the latter, remarking that "it was a nice little nest egg."
This pension was continued to his widow. The last time Dr. Wesley played the organ in Gloucester Cathedral was on the afternoon of Christmas Day, 1875.
Before the Service was over he asked his assistant, Mr. C. E. Clarke, for an old full score of "The Messiah," which he kept in the organ loft, and
from it he played, as the concluding voluntary, the "Hallelujah" chorus, an unusual thing for him to do, as he generally extemporized or played one
of Bach's Fugues from memory. He never touched the Cathedral organ again, and in April of the following year the gifted brain and clever fingers
were at rest. His last words were, "Let me see the sky," a fitting request from a man of such high ideals and noble inspirations.
Organist of
St. James's Chapel, Hampstead Road, 1826;
St. Giles's, Camberwell, January 12, 1829
St. John's, Waterloo Road, 1829
Parish Church, Hampton-on-Thames, 1830
, 1832
, 1835
Leeds Parish Church, 1842
, 1849
, 1850
Gloucester Cathedral, 1865
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Samuel Sebastian Wesley |
Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Hymnary Web site
Choral Public Domain Library Web site
1839 Mus. Bac. and Mus. Doc. — Samuel Sebastian Wesley, son of Samuel and grandson of Rev. Charles Wesley. He was born in 1810, and educated at the Bluecoat School.
He became a chorister of the Chapel Royal, St. James's, in 1813, and in 1827 was appointed Organist of St. James's Church, Hampstead. Shortly after this he was holding four organ appointments simultaneously. In 1832 he became Organist of Hereford Cathedral, and was Conductor of the Festival of 1834. In 1835 he was appointed Organist of Exeter Cathedral, at which time he was considered the first organist and church composer in England. In 1842 he became Organist of Leeds Parish Church, and in 1849 of Winchester Cathedral.
His degree exercise was the eight-part anthem "O Lord, Thou art my God." In 1865 he was appointed Organist of Gloucester Cathedral, where he remained till his death in 1876.
His compositions consist of anthems, services, glees, organ and piano pieces, of which a catalogue is given in Grove's Dictionary.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
DR. SAMUEL SEBASTIAN WESLEY.This distinguished musical composer, who has so unexpectedly passed away from us, was born in London in the early part of the year 1810, and died most peacefully at his residence in Palace Yard, Gloucester, April 19th, aged sixty-six years.
His family is one of great antiquity, the pedigree of which has recently been traced backward for more than nine centuries. Amongst them were men of high rank, piety, learning, and genius. A patriot of this family bore the Royal Standard before Henry II, during the wars in Ireland in 1172. Nearly two centuries later, the heroism of another son of the family led him to Palestine with the Crusaders, where be fell fighting the Saracens. From the same branch of the Wesley descended the ancestors of Lord Mornington, the Marquis Wellesley, and the Duke of Wellington
The father of Dr. Wesley Mr. Samuel Wesley, the great musical composer, who died in 1887, and who was the firat person to introonce into England the now widely appreciated music of John S. Bach. Dr. Wesley inherited from his accomplished father the genius which raised him to so high a position, both as composer andorganist, and from him he received much in return in early life. At the age of six he was privileged, withonly few other boys, to attend the Bluecoat School without wearing the uniform.
In 1819, during the period of one of his father’s severe illnesses, he was chosen as a chorister at the Chapel Royal, St. James's, where he remained for eight years, his teachers being Mr. Molineaux and Mr. Hawes. In company with another of the Chapel Royal choristers, be had to go to Brighton every Saturday for three years together, at the expense of the King, when George IV. was staying at the Pavilion in that town, and bad to sing on Saturday evening and on Sunday before the King and the Royal Dukes. On one of those visits be beard Rossini sing before his Majesty. The two boys boarded at the Pavilion, and retained in a post-chaise to their duties in London Monday.
The King would sometimes go to the lads, and speak a kind word to them, and once his Majesty inquired of Mr. Hawes what was the relationship between the young chorister, Wesley,and Mr. Charles Wesley (his uncle), who was private organist to the King. His Majesty ordered a gold watch to be presented to young Wesley.
Dr. Wesley commenced his public duties as organist in 1827 at the age of seventeen, when was appointed to conduct the musical service in St. James's Church, Hampstead Road. Two years afterwards he was appointed organist at St. Giles’s Parish Church, Camberwell, when formed the acquaintance of the celebrated Thomas Adams, who was organist of the New Church, Camberwell, for whom young Wesley was often permitted to extemporise a fugue as a concluding voluntary, on account of which favour he ever afterwards held Mr. Adams in high esteem.
In 1829, Dr. Wesley was chosen organist of St. John’s Church, Waterloo Road, whilst still serving the chapel in the Hampstead Road and St. Giles's Church, Camberwell. He appointed his venerable fatner to play for him at St. John's, to whom be gave the salary. Continuing to hold the appointment at Camberwell, in 1830he was chosen organist in the evening at the parish church, Hampton-on-Thames, to reach which place hehad to travel by coach after conducting the morning service at Camberwell.
In 1832 he accepted the post of organist of Hereford Cathedral. Called to associate in his daily duties with the Dean and Chapter, he was cordially welcomed at the deanery, then presided over by the learned Dr. Merewether, whose sister, Marianne, Dr. Wesley married in the year 1885. Shortly after his marriage, and during the same year, be accepted the duties of organist at Exeter Cathedral, in which he continued seven years.
About the year 1841 the professorship of music Edinburgh was vacant, and he was urged apply for that position. To facilitate his efforts in that object be was advised to take his degree of doctor in music, although be had not taken his bachelor's degree. His abilities were held in so much esteem that a special grace was accorded to him, and permitted to take the highest degree, his qualifications to take both being undoubted. He returned from Oxford, and continued his residence at Exeter some months, but in 1842 he accepted the position of organist at the Leeds parish church, when the late Dr. Hook was in the midst of the great work of renovation and church extension which he so nobly carried out in that locality.
The musical professor of Cambridge, Dr. T. Attwood Walmslev, writing from Trinity College in November says:— "Ths universal consent of all musicians in England is that Dr. Wesley is the first among us, both for extraordinary talent and unwearied diligence in improving that talent to the utmost. He not only the first organ player that we have, but also most accomplished musician" Dr. Louis Spohr, writing of Dr. Wesley, from Cassel, January, 1841, after carefully examining all his published works, said "They show, without exception, that he is master of the style and the form of the different species of composition,
keeping himself closely to the boundaries which the several kinds demand, not only in sacred things, but also in glees and music for the piano. The sacred music is chiefly distinguished by noble, often even antique style, and rich chosen harmonies, as well as by surprisingly beautiful modulations. Along with this they possess the advantage to be easily sung." Such were the testimonials offered to young man of thirty, when was asked to compete for the chair of music at the University of Edinburgh.
Dr. Wesley in 1849 accepted the position of organist at Winchester Cathedral taking with him his five sons. The school in that city, with which is connected so many honoured names in English history, afforded the facilities required for their education. Two of those sons are now ordained clergymen, and two others are in the medical profession.
During the fifteen years of Dr. Wesley's residence at Winchester he was invited to preside, at the opening of most of the large organs which bad been erected in England.
In 1865 became the organist at Gloucester Cathedral, and in that city he resided till his death.
Dr. Wesley conducted the last musical festival held at Worcester, on which occasion some of his own compositions formed part of the programme.
Many persons will consider that the most important of Dr. Wesley's published books his "Twelve Anthems," which are now generally used in cathedrals and churches throughout England.
During the greater part of his life Dr. Wesley was influenced peculiarly sensitive nervous temperament, which led him to prefer retirement to public life. probably allowed this feeling to rule when it should have been resisted. He died about eleven o'clock on Wednesday morning, his last words being addressed to his sister, Miss Eliza Wesley, when he said, "Let me see the sky." His son, William Ken Wesley, was also with him at the close of life.
Bradford Observer
Saturday 22 April 1876
(www.britishnewspaperarchive.co.uk)
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Walter Whitby |
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Walter Whitby
Organist of
1406 - 1407 |
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Wikipedia page
Biographical Dictionary of the Organ
Organists Of St George's Chapel
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Edmund White |
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Edmund White was "Organist and teacher of the boys." of Chester Cathedral.
Entries in the Chapter Books of Chester Cathedral unfortunately bear record of serious irregularities of conduct on his part, and he was dismissed April 9, 1715.
Organist of
1705 - 1715
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Biographical Dictionary of the Organ
In September, 1707, it is ordered.
Whereas complaint bath been made that Edmund White. organist of this Church, being intrusted to Instruct a young gentlewoman of antient and right worthy family in musick, endeavoured to engage her affections by kissing, courting, and the like dalliance unknown to her parents, and motioned a match with her, which particulars when sounded he could not deny, only frivolously pretended the motion of marriage was in jest.
We, therefore, abhorring attempts to steal children from their parents as much as to rob parent of their most valued treasure, doe according to the statute ' do oorrigendo' do depose the said Edmund White from that placer of organist, and also from being master of the choristers, and we doe declare that the station or office of organist and master of the choristers to be actually voyd. L. Fogg. Dean.
Chester Courant
Wednesday 11 March 1885
(www.britishnewspaperarchive.co.uk)
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Robert White |
1538 – 1574 |
Robert White (or Whyte), was the son in-law of Dr. Christopher Tye.
Very little is known of his biography, but Morley mentions him in his
"Introduction" as one of the famous English musicians of his time. He
was probably the Robert White who became Organist of Chester
Cathedral, 1567, and of Westminster Abbey in 1570 For his degree of
Muse B. at Cambridge, he was required to compose a Communion Service
to be performed in St. Mary's Church on Commencement Day.
He was buried at St. Margaret's, Westminster, November 11, 1574.
An early copy of his Anthem, "O praise God," is in the Ely Cathedral Library,
and there are some Latin Services and Anthems by him in MS. in the Library of Christ Church, Oxford.
White's name appears as Organist of Chester Cathedral in June, 1567, the stipend being divided
between him and Saywell. Several interesting entries concerning his
musical services to the Mystery Plays held at Chester may be found in
Dr. J. C. Bridge's interesting account of the Organists of Chester
Cathedral (Chester Archæological Society's Journal, Vol. XIX.)
Organist of
1562 - 1566
1567 - 1570
1570 - 1574
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Westminster Abbey
Web Site
Choral Public Domain Library Web site
Oxford Music Online Web site
1561. Mus. Bac. — Robert White, Wight or Whytt.
He is mentioned by Morley in his Introduction, and is ranked by him with Orlando Lasso, and as one of the famous Englishmen who have been nothing inferior to the best composers on the Continent.
About 1562 he succeeded Tye as Magister Choristarum of Ely, at a salary of £10 per annum ; and previously to this he had apparently been Organist of West minster Abbey.
Few particulars of his life seem known, and only a few of his compositions have been printed.
There are some in MS. in Ch. Ch. Library. An entry recently found in the marriage register of Trinity Church, Ely, leads to the supposition that White was Christopher Tye's son- in-law.
He died in 1574, and his will describes him as Master of the Choristers of Westminster Abbey.
In a set of his Latin Anthems and Services at Ch. Ch. the following distich occurs : —
Maxima Musarum nostrarum gloria White Tu peris ; aeternum sed tua musa manet.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
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William Henry White |
c.1822 - 25th May 1852 |
William Henry White was educated in the choir of St. Patrick's, and also sang In the Chapel Royal Dublin when a boy.
Organist of
Chapel of Dublin Castle, 1836 to 1845.
1844 - 1852
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> Biographical Dictionary of the Organ
DEATH OF WILLIAM WHITE, ORGANIST OF ST. PATRICK'S CATHEDRALIt Is our melancholy duty to record the decease of this young and promising musician, who departed this life on Tuesday last, at the early age of 30 years.
Mr. White was educated in the choir of St. Patrick's, and also sang In the Chapel Royal when a boy. Early indications of large musical talents were easily perceived from his performances in both choirs, little White always singing the principal parts with gracefulness and truth, while his modest demeanour and childlike simplicity caused him to be loved by all. For some years previous to his voice changing he practised the organ assiduously ,
so that when that event took place he was qualified to preside at that instrument in a cathedral.
His rare abilities were soon observed and readily rewarded. On the occasion of the organistship of the Chapel Royal being unfilled. White, though a mere boy, was immediately appointed by the then Dean, Dr. Vic Nolles. He there continued to give every satisfaction for some years, till the organ of St. Patrick's becoming vacant, he was removed thereto, where he continued to perform up to a few weeks before his death.
Those who have heard his performances—and what Cathedral goer has not?—will not readily forget them. For brilliancy of finger, power of combination, judgment In the selection of stops, and sureness and rapidity of pedalling, White had no superior, few equals in the three kingdoms. How he was able to manage such an indifferent Instrument as that of St. Patrick's, with so much skill, has been always a matter surprise to us.
Then he was an accomplished musician, with a mind well informed in his art, and taste and good sense to guide him a due appreciation and acknowledgment of the abilities of others. Mr. White, throughout his short career, discharged the duties of a son and brother with a zeal and affection seldom equalled, and only known to his intimates; and, as a friend, he was warm, unselfish, and obliging—ever ready to assist, by his advice and talents, his less gifted musical brethren, without ostentation or display; for he was unassuming and modest to a fault.
His remains were attended to their last resting-place in Mount Jerome cemetery, on Friday morning, by the greater portion of the musical professors of Dublin, and a host of friends, all of whom respected and loved him; for who would not have loved poor White ?
Dublin Evening Mail - Monday 31 May 1852
(www.britishnewspaperarchive.co.uk)
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John Bernard Wilkes |
c.1785 – c.1869 |
John Bernard Wilkes was a Student of the Royal Academy of Music, 1842-1846.
Composer of the tune "Lyte" to "Far from my
heavenly home," in "Hymns Ancient and Modern."
Organist of
Monkland Church, near Leominster
St. David's, Merthyr Tydvil
1861 - 1865
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Wikipedia page
Biographical Dictionary of the Organ
Cyber Hymnal Web Site
Hymnary Web site
The first modern organist of Llandaff Cathedral was John Bernard Wilkes (1861-65). I say "modern" because ancient organists were as unlike the cathedral players of to-day as water is to wine.
Wilkes was the first of several Llandalf men who shed lustre on their profession. His tune to "Far from my heavenly home," in "Hymns Ancient and Modern," will. always live
Western Mail
Thursday 22 November 1900
(www.britishnewspaperarchive.co.uk)
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Charles Lee Williams |
1st May 1852 - 29th Aug 1935 |
Charles Lee Williams was born at Winchester, May 1st, 1852. Chorister in New College, Oxford.
Pupil of Dr. G. B. Arnold, and Assistant-Organist of Winchester Cathedral.
Music Master of St. Columba's College, Rathfarnham, 1872.
Conductor of the Gloucester Festivals, 1883-1895. Resigned at Gloucester owing to ill-health, 1897.
An Examiner for the Associated Board of the Royal Academy of Music and Royal College of Music.
Composer of Cantatas, Church Music, Part-songs, Organ pieces, The Gloucester Chimes arranged for the pianoforte, Songs, Etc.
Joint compiler, with H. Godwin Chance, M.A., of the latest
edition of "Annals of the Three Choirs." Author of a pamphlet entitled
"Among the Isles of Greece."
Organist of
Upton Church, Torquay, 1870
1872 - 1875
1876 - 1882
1882 - 1897
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Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Choral Public Domain Library Web site
1885
Mus. Bac. — Charles Lee Williams, New Coll.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Diapason Movement
YouTube Channel
Obituary.
DEATH OF DR. LEEWILLIAMS
WELL-KNOWN GLO'SHIRE CONDUCTOR AND COMPOSER The "Echo" regrets to announce the death Dr. Charles Lee- Williams, formerly organist of Gloucester Cathedral and conductor the Three Choirs Festival and a distinguished composer, which took place at his residence, St. Omar, Reservoir-road, Gloucester, in the early hours of this morning.
By his death Gloucestershire loses one whose name is held in the highest esteem in the musical circles of the nation and overseas, and is also the poorer for the passing of a most charming person.
Dr Lee-Williams, who celebrated his 84th birthday in May of this year, has been until recently very active for his years. A fortnight ago his health began to fail, and he took to his bed. His death was peaceful, and he passed away in his sleep.
Born at Winchester on May 1, 1851, he was the fifth son of the Rev. David Williams, LL.D., rector of Alton Barnes and Alton Priors, Wiltshire. Having in early boyhood displayed musical talent of an exceptional kind, ne was placed in the choir of New College, Oxford, where he served for four years as a chorister.
When only 15 years of age he was appointed organist to the parish church of Ovington, near Winchester.
In 1882 he was elected organist at Gloucester in succession to Mr. C. H. Lloyd. Outside the cathedral there were some who, while recognising Dr. Lee Williams' great ability, felt he was too young to act as conductor at the Three Choirs Festival at Gloucester as required the appointment.
HEALTH CAUSES RESIGNATION
At his first musical meeting in the following year, however, the test was applied the new organst and the result silenced objections for ever. In 1862. for reasons of health, Lee Williams resigned the post of cathedral organist - a course which evoked universal regret.
Dr. Lee-Williams was prolific and distinguished composer and took high rank for his sacred music, while he also responsible for many notable part songs, carols, and tor services and other works.
He rendered valuable service to local and musical societies on which held office, and 1929 his services to music, and especially to the Three Choirs Festival, were signally honoured when the Archbishop Canterbury conferred upon him the degree of Doctor of Music.
A man of charming personality he was held in great affection by all who knew him.
He leaves one son, Mr. Owen Lee-Williams. He married a daughter of Mr. W. P. Price one time M.P. for Gloucester. He came to live at St. Stephen's Manor, Cheltenham, and resided there until early in 1906, when he went to Tuffley. near Gloucester.
Dr. Lee-Williams conducted the festivals of the Three Choirs held at Gloucester from 1883 to 1895 inclusive, and took part in many others at Worcester and Hereford, on various occasions works by him, generally specially composed, were written for the Three Choirs, and performed at their festivals. Such works included the eight-part song "twilight" (1885); "Last Night at Bethany" (1889) church cantata. "A Dedication" (1895); "Magnificat" and "Nunc Dimittia" (1893); short cantata "Harvest Song" (1899); unaccompanied motets, "A Festival Hymn" (1904); and "The Lord's Prayer" (1910); and the anthem, "Thou wilt keep Him"(1922).
Gloucestershire Echo
Thursday 29 August 1935
(www.britishnewspaperarchive.co.uk)
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George Ebenezer Williams |
1783 - 17th Apr 1819 |
George Ebenezer Williams was Born 1783.
Chorister in St. Paul's Cathedral. For some time Assistant-Organist at the Temple and (to Dr. Arnold) at Westminster Abbey.
Died April 17, 1819. Buried in the South Cloister.
Composer of Chants, Sanctuses. Etc.
Author Of "An Introduction to the Art of Playing on the Pianoforte," "Exercises for the Pianoforte," Etc.
Organist of
Philanthropic Chapel, St. George's Road, 1805
1814 - 1819
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George Ebenezer Williams |
Wikipedia page
Biographical Dictionary of the Organ
Westminster Abbey
Web Site
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Thomas Williams |
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Thomas Williams
There is an Anthem by him, "Arise, arise," in the
Ely Collection, and two others in the books of King's College,
Cambridge.
Organist of
- 1680
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
Web Site
Cyber Hymnal Web Site
Composers For Organs
Portrait Gallery
Westminster Abbey
Web Site
Hymnary Web site
Choral Public Domain Library Web site
Oxford Music Online Web site
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
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Archibald Wayet Wilson |
1869 - 1950 |
Archibald Wayet Wilson was born at Pinchbeck, Lincolnshire, 1869.
Student at the Royal College of Music under Slr Walter Parratt, Sir F. Bridge, Etc.
Organ Scholar at Keble College, Oxford, 1890. Music
Master, Temple Grove, 1894.
Composer of Church Music, a Choral Ballad, Part-songs, Etc.
Author "The Chorales: Their Origin And Influence,"
Organist of
St. Paul's, East Moulsey, 1888.
St. John's, St. Leonard's, 1896
1898 - 1901
1901 - 1919
1919 -
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Biographical Dictionary of the Organ
1889
Mus. Bac. — Archibald Wayet Wilson, Keble Coll.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
HORBLINGFormer Vicar's son.
The death has occurred at Prestwick. Manchester. of Dr. Archibald Wayet Wilson, aged 79.
Fifth son of the late Rev. Plumpton Stravenson Wilson. Vicar of Horbling from 1876 to 1909
He was choirmaster and organist at Manchester Cathedral for 24 years, and is the last of a talented family of six sons and three daughters, all of whom were well-known to the older residents of Horbllng and district.
Grantham Journal
Friday 01 September 1950
(www.britishnewspaperarchive.co.uk)
SOCIETY AND PERSONALDr Archibald Wayet, Wilson, organist Ely Cathedral, has been appointed, organist, of the, Manchester Cathedral, in succession Mr Sydney H. Nicholson, who has been appointed to succeed Sir. Frederick Bridge as organist , of Westminster Abbey.
Aberdeen Press and Journal
Friday 04 October 1918
(www.britishnewspaperarchive.co.uk)
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Michael Wise |
1638 - 24th Aug 1687 |
Michael Wise was born at Salisbury, 1638.
Chorister in the Chapel Royal, and afterwards a Gentleman of the same, 1675.
According to the Salisbury Cathedral Records there appears to have been some
trouble between Wise and the authorities there in connection with his
duties, and on April 20, 1679, one MITTERNACHT was appointed to play
as his deputy, his salary being deducted from that of Wise. Fines are
recorded against the latter, on several occasions for irregular attendance.
Appointed Almoner and Master of the Choristers at St. Paul's Cathedral,
1687.
He was a man of very quick temper, and was killed in a quarrel
with the midnight watch, August 24, 1687. *
Composer of Church Music.
"He is said to have been in great favour with Charles ll., and being appointed
to attend him in progress, claimed, as King's Organist for the time, the
privilege of playing to his Majesty on the organ, at whatever church he
went."—(Burney's "History of Music.") On one occasion, however, he
incurred the King's displeasure by interrupting a sermon with a voluntary of
his own.
Notwithstanding his hasty temper, he seems to have exhibited a
character of some pleasantry, for we are told that when in Charles ll.'s
reign he was asked to set his hand to a petition of which he did not approve
(it was for the sitting of the Parliament), he wittily answered, "No, gentlemen, that is not my business ; but I'll set a tune to it an you please."
* The particulars of his death are said to have been these: "He had quarrelled
with his wife on some trivial matter, and rushed out of his house. The
watchman met him while he was boiling with rage, and commanding him
to stand and give an account of himself, he struck the guardian of the peace
to the ground, who in return aimed a blow at his assailant with his bill,
which broke his skull, of the consequence whereof he died." (Hawkins's
"History of Music."; )
Organist of
1668 - 1687
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Wikipedia page
Biographical Dictionary of the Organ
Dictionary of National Biography
Composers of Classical Music
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Daniel Joseph Wood |
25th Aug 1849 - 27th Aug 1919 |
Daniel Joseph Wood was born at Brompton near Chatham, August 25, 1849.
Chorister in Rochester Cathedral, and afterwards Assistant-Organist there.
Conductor of the Western Counties Musical Association, 1877.
Died August 27, 1919.
Composer of Church Music. Organ pieces, Etc.
Organist of
Holy Trinity, New Brompton (Kent), 1864
Parish Church, Cranbrook, 1866
Parish Church, Lee, 1868
Parish Church, Boston (Lincs.), 1869
1875 - 1876
1876 - 1919
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Wikipedia page
Biographical Dictionary of the Organ
1874
Mus. Bac. — Daniel Joseph Wood, New Coll.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
Death of
DR. WOOD,
EXETER CATHEDRAL ORGANIST. We regret to announce the death of Dr. Daniel Joseph Wood, who has been organist of Exeter Cathedral since 1876.
The sad event took place at his residence, in the Close, yesterday. Deceased had been failing health for some while, but only during the last three weeks was he confined to his bedroom, the immediate cause of death being heart trouble.
Deceased was under the medical care of Mr. C. E. Bell, the family physician. Sir Henry Davy being called in for consultation days since.
Dr. Wood had a most charming manner, and was much beloved by a very wide circle of friends.
The deceased was born at Brompton, near Chatham, on August 25th 1849, and was, therefore, 70 years of age. As a boy he entered the choir of Rochester Cathedral, where his fellow choristers included tne late Joseph Maas and Dr. Joseph C. Bridge. eldest brother the latter, Sir Frederiek. Bridge, left the choir just beiore Dr. Wood joined.
After having been deputy-organist of Rochester Cathedral Dr. wood held, in succession, the post of organist at Holy Trinity Church, Old Brompton. Cranbrook Parish Church ; Lee Parish Church; Boston (Lincolnshire) Parish Church; and Chichester Cathedral. In 1876, upon the death of Mr. Alfred Angel, Dr. Wood was appointed organist of Exeter Cathedral, which post he worthily held until his death.
He was a Fellow the Royal College Organists, and Bachelor of Music in the University of Oxford, and in 1896, he received the Degree of Doctor of Music Cantab.
As conductor of musical Associations Dr. Wood extended the scope his artistic interests beyond the Cathedral precincts, and his influence on music in the city and surroundings of Exeter was distinctly for its progress and well-being, in fact, he always furnished
proof of his sound and thorough ability, and of the magnetism his artistic temperament. Not only did deceased hold the important post of organist of the Cathedral for over 40 years, but he was well-known composer of church music and organ pieces. He took a prominent part in the formation of the Western Counties' Musical Association, and was the first conductor to Mr. Henry Leslie. About 25 years ago. when the Association amalgamated with the Exeter Oratorio Society, Dr. Wood became joint conductor to Dr. Edwards.
Deceased was also appointed conductor of the Exeter Orchestral Socioty on the resignation of Mr. Reg. Moore. He was also a Licentiate of Trinity College, London, composer of excellent anthems and chants, and editor of the Hymnal Companion and Chant Book Companion.
The Psalms pointed, as used in the Cathedral, together with the "Canticles, Proper Psalms, Athanasian Creed, etc ", were edited by Dr. Wood, and published in 1878. The pointing in the Cathedral had previously been purely traditional, and though it was considered inadvisable to change the method of dividing the words for chanting, still it was thought that that method might carried out with more precision and uniformity those divisions of the words, for which both choir and congregation had hitherto to depend on memory, were plainly set full print. The object of the work was not to introduce any new thing, into the service, but to confirm and strengthen what already existed.
Several years since deceased took great interest in the restorationof the Cathedral organ, at a cost of £3500.
Dr. Wood leaves a widow, who has been in London for some time for the benefit of her health, and two daughters. Mrs Kenyon, of London, and Mrs. Barnes Topsham— with whom the greatest sympathy is extended in their sad bereavement.
Although Dr. Wood suffered from heart trouble for a considerable time, his death yesterday was unexpected, he being suddenly attacked by a heart spasm, and passed away immediately. During the absence Mrs. Wood, who went to London a short time since to undergo an operation, the Doctor has been under the care of Mrs Barnes his second daughter. Mrs. Kenyon being in London with her mother.
Owing to a serious nervous breakdown the deceased went for a cruise in the Mediterranean about 9 years ago and derived considerable benefit.
Deceased was a most talented musician and one of the best known organists in the country. He was acknowledged authority on Bach and other great composers, and his services were eagerly sought after by all associated with music. For some time deceased was in charge of the choral music at the Exeter Maynard School. After referring Dr. Wood's resourcefulness and judgment, a writer, a few years since, remarked: "Beyond them shows untiring energy When you come to think of it, you cannot recall an occasion on which you saw him lazying. If he wasn't playing, he was talking; he wasn't talking he was walking and with purpose; if was doing neither was thinking; and if he wasn't thinking he was doing something else requiring mental effort. Isn't that about the truth?" But there is one thing about his conversation— you never hear him talk of or for Dr. Wood.
To listen him you would have no idea at all that Dr. Wood was more substantial entity than the Mr. Harris of whom Sairey Gamp was wont to express the opinion that "there ain't sich person."
The Exeter Cathedral organist afraid that the world will rate him too highly, and yet try how he might cannot prevent his natural aptitude and his many acquisitions from their own tale. He succeeds in spite himself as it were; his bushel of modesty is quite ineffectual to hide his light which shines before all men with wuom he is associated. "He is persevering; his direction the Western Counties" Musical Association's festivals testify to that, for no half-hearted unenthusiastic conductor could have brought them to such a high degree of excellence and power. Yet is not the rushing order of mankind. He carries with him dignity born of early association with Cathedral minstrelsy, and this same feature is manifested in his playing. There is nothing showy in his style but rather the majesty that is suggested wherever the word "Cathedral" used as an adjective— ' Cathedral tone,' ' Cathedral glass,' etc.
He is, in brief, the right man in the right place. Under his guidance the musical portion of the services St. Peter's is solid without being ponderous; bright without being procacious. He feels that the traditions of his post—extending back for hundreds of years, and including among its many worthy holders the late Dr. Wesley, perhaps the greatest English Church musician of this century—-demands something more than purely mechanical nimbleness, and very successfully gives effect to the inborn conviction.
At the close of evensong at the Cathedral, yesterday, the Dead March from "Saul" was played. The funeral will take place on Monday at noon.
Exeter and Plymouth Gazette
Thursday 28 August 1919
(www.britishnewspaperarchive.co.uk)
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Richard Wood |
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Organist of
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Biographical Dictionary of the Organ
Organists Of St George's Chapel
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William Woodcock |
1754 - 1825 |
William Woodcock was born at Canterbury, 1754.
Chorister in Canterbury Cathedral. Assistant-Organist of the Cathedral and St. John's College, Oxford, 1778-1784.
Lay-Clerk of the Cathedral, and of Magdalen, New, and St. John's Colleges, resigning the two latter appointments on becoming Organist of New
College.
Died at Oxford, 1825.
Composer of Church Music.
Organist of
1799 - 1825
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Biographical Dictionary of the Organ
1806
Mus. Bac. — William Woodcock, of New Coll.
Born 1754, Organist and Singing Man of New Coll., 1799-1825 ; Clerk of Magd. Coll., 1784-1818.
He died in 1825.
Extract: A short historical account of the degrees in music at Oxford and Cambridge.
(Williams, C. F. Abdy)
On Thursday night died, after a short illness, in the 72d year of his age, William Woodcock, Bachelor in Music, many years organist on New College, in this University
Oxford Journal
Saturday 30 April 1825
(www.britishnewspaperarchive.co.uk)
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Norman Charles Woods |
22nd Jun 1882 - 18th Aug 1944 |
Norman Charles Woods was born at Gosport, June 22, 1882.
1921 a Priest in Orders and a Minor Canon of Winchester Cathedral.
Organist of
Parish Church, Chiswick, 1906
Parish Church, Ludlow, 1908
1911 - 1912
Holy Trinity, Southport, 1913
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Biographical Dictionary of the Organ
DEATHSOn August 9th, Norman Charles Woods, priest, M.A., Mus.B.. F.R.C.O-Vicar- St. John’s Netting Hill and formerly curate of Biggleswade.
Biggleswade Chronicle
Friday 18 August 1944
(www.britishnewspaperarchive.co.uk)
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Leonard Woodson |
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Leonard Woodson was a Lay Clerk of St. George's Chapel, Windsor.
According to the Chapter Acts of St. George's Chapel (April 5, 1605),
"It is decreed, at the request of Nathanaell Giles, esquier, Master of the
Choristers of this free Chapel, that Leonard Woodeson, one of the
singing-men of the same, shall have the teaching, keeping, dieting,
ordering, and lodging of the said choristers for so long time as it shall
be thought meet by the Dean and Chapter. And whomsoever the said
Dean and Chapter shall mislike (sic) therewith then upon one quarter's
warning from them to be given to the said Nathanaell he shall take
them again to his own ordering and government as before."
There is a Te Deum in D minor by him in Barnard's Collection, and two
Anthems— "Arise, O Lord God" and "Hear, O Lord, hear my prayer"
are included in a MS. collection of Church Music in the Library of the
Royal College of Music.
The words of the first-named Anthem are given in Clifford's "Divine Service
and Anthems," 1664 edition.
Organist of
1615 - 1641?
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Biographical Dictionary of the Organ
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Richard Woodward |
1744 - 22Nd Nov 1777 |
Richard Woodward was the son of Richard Woodward, a Vicar Choral of St. Patrick's Cathedral.
He was born in Dublin, 1744.
Vicar Choral of St, Patrick's Cathedral, 1772.
Master of the Choristers at Christ Church and St. Patrick's Cathedrals.
Died November 22, 1777. Buried in Christ Church Cathedral. On his monument is inscribed his Prize
Canon "Let the words of my mouth."
Composer of Church Music, Songs, His Church Music, which included a Service in B flat and
seven Anthems, was published in London in a folio volume, and dedicated
to Archbishop Smyth.
Organist of
1765 - 1777
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Wikipedia page
Biographical Dictionary of the Organ
Composers of Classical Music
Web Site
Hymnary Web site
Choral Public Domain Library Web site
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Nicholas Wootton |
- 16th Apr 1700 |
Nicholas Wootton was admitted Organist and Lay Clerk, Canterbury Cathedral, December 1, 1692.
In April, 1698, he was summoned to appear before the Chapter of Canterbury Cathedral "to answer
to such matters as shall then be objected to him." Wootton seems to have
failed to comply with this order, as on June 27 it was resolved.that "forasmuch
as Nicholas Wootton, Organist of this Church, hath left and deserted that
place," and for other misdemeanours, "he be removed, and the place be
void."
Died April 16, 1700. Buried in the North Aisle of the Cathedral.
Organist of
1692 - 1698
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Biographical Dictionary of the Organ
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Charles Wren |
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Charles Wren appears as Organist in the Rochester Cathedral Treasurer's book of 1672
In the 'Red' Book of 1661 it was "Ordered that Mr. William Rothwell for the reversion
of the Organist's place at Mr. John Heath's death should have a Patent."
William Wrothwell had a Patent for a Petty Canon's place in 1662; no mentioned of him as Organist.
Organist of
?1672 - ?
1673 - 1679
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> Biographical Dictionary of the Organ
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Robert Wren |
-1691 |
Robert Wren was probably a son of Charles Wren, Organist of Rochester Cathedral.
"On the same day, December 9, 1675, the Chapter elected Robert Wren,
'a member of this Church,' as Chomley's successor. At the time of his
election, Wren was one of the Lay Clerks of the Cathedral."
Died 1691. Buried in Rochester Cathedral Cloisters.
Organist of
1675 - 1691
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Biographical Dictionary of the Organ
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John Wyrnal |
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John Wyrnal is buried under the Window of the Clock (rose window), in the South Transept of York Cathedral.
The following is the inscription on his tomb
Muficus et logicus Wyrnal hic jacet ecce Johannes
Organa namque quafi fecerat ille loqui.
Translated thus in Hawkins's "History" :-
Musician and Logician both,
John Wyrnal lieth here ;
Who made the organs erst to speak
As if, or as it were.
And in Drake's "Eboracum" :—
Here lies John Wyrnal, so well skilled in the Art of Music and speech, that
he made even the Organ speak.
Organist of
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Biographical Dictionary of the Organ
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John Matthew Wilson Young |
17th Dec 1822 - 4th Mar 1897 |
John Matthew Wilson Young
Was Organist and Master of the Choristers at Lincoln Cathedral.
Born at Durham, December 17, 1822.
Chorister in Durham Cathedral, and afterwards pupil of Henshaw and Assistant-Organist there.
For some time Professor of Music at the Training School, York.
Resigned from post of organist Lincoln Cathedral 1895.
Died at West Norwood, March 4, 1897. Buried in the Cemetery, East Gate, Lincoln.
Composer of a Sacred Cantata, "The Return of Israel to Palestine," Church
Music, Etc. Compiler of the Lincoln Psalter.
Under Young's régime the musical services at Lincoln Cathedral greatly
improved. The organ was considerably enlarged, and pedals were for the
first time used.
Organist of
1850 - 1895
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Wikipedia page
Biographical Dictionary of the Organ
DEATHYOUNG. — On the 4th inst., at 36, St. Julian's Farm road, West Norwood, John Matthew Wilson Young, late Organist of Lincoln Cathedral, aged 75.
Norwood News
Saturday 13 March 1897
(www.britishnewspaperarchive.co.uk)
CATHEDRAL SINGING
(Extract)I want to thank Dr. Slater for so generously alluding to Mr, John Matthew Wilson Young and the way which psalms were sung in Lincoln Cathedral during his regime-
As chorister in the cathedral from 1888 to 1895, 1 can corroborate everything Dr. Slater said about my old and well beloved organist and choirmaster (martinet as he was) Not only people from outlying districts would come to the services specially to hear the psalm singing, but parties of Americans, who had made the pilgrimage to our cathedral were enthralled for the same reason.
Dozens of times I have heard Mr. Young commence a full rehearsal by reading tributes from all sorts and conditions of men, tributes relating not only to the singing of the psalms, by the way. but the wonderful tight and shade in unaccompanied eight-part anthems such as "Why rage fiercely the heathen" and "Judge me, 0 God "(Mendelssohn), alas never now sung in Lincoln.
I well remember the late Sir John Stainer, organist at St. Paul’s Cathedral, paying as a glowing tribute on the singing the first-mentioned anthem and the Morning Psalm, set to a descriptive single chant by Mr. Young. As Dr, Slater says, Mr. Young's accompaniments to the psalms were inspiration and showed the master and reverent hand.
ERNEST PULLEIN. Organist and Choirmaster, St. Martin’s. Swanpool. Lincoln.
Lincolnshire Echo
Tuesday 26 October 1937
(www.britishnewspaperarchive.co.uk)
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